Title: Pathfinding Women
Series: Waxwood Series, Book 3
Author: Tam May
Genre: Historical Women’s Fiction/Family Saga
Release Date: September 13, 2020
There are paths in life we have no choice but to follow.
At the close of the nineteenth century, Vivian Alderdice is twenty-six, unmarried, and has no prospective suitors. Now the heiress of the Alderdice fortune, she has yet to fulfill her duty to her family and to society: to marry well and produce heirs.
Her brother’s tragic plight the year before left her and her mother on shaky ground with the San Francisco blue bloods of Nob Hill, and the only way they can re-establish their social position is to win the heart of Monte Leblanc, a wealthy Canadian in search of a wife and looking to become a member of the exclusive Washington Street society.
But a young man on the train tells Vivian things about her grandmother that shake her to the core. Even as she is pursued by the debonair Monte Leblanc, Vivian can’t avoid ghosts from the past who send her on a journey she is reluctant to take.
You can get your copy of the book at a special promotional price from your favorite online book retailer here.
“If the horses are his only vice,” said Mr. Leblanc with a chuckle, “I should say Miss Drysdell is very lucky indeed.”
“But it isn’t.” Cecily’s eyes widened. “Elizabeth Cornwall told me it’s all over England that his grandfather and great-great-grandfather both went mad of the drink. It was like poison to them.”
“Well, my dear, all families have their skeletons,” said Mr. Leblanc.
“Oh, that’s all fine when they are ancient ones,” said Fern. “It’s the skeletons still rattling in the closets that one must be careful of.” Her eyes slid toward Vivian.
Vivian’s hands grew cold, even though the coffee Mrs. Tisher had given her was still warm. “Perhaps there would be no need for the skeletons to rattle if families told the truth from generation to generation.”
“Yes, you are a great believer in the truth, aren’t you, Vivian?” Amber asked. “No matter what the consequences.”
“‘Rather than love, than money, than fame, give me truth.’” Vivian quoted.
“You made that up right now?” Bethel’s voice was sour.
“I didn’t,” said Vivian, smiling. “Henry David Thoreau did.”
About the Author
Tam May started writing when she was fourteen, and writing became her voice. She loves history and wants readers to love it too, so she writes historical fiction that lives and breathes a world of the past. She fell in love with San Francisco and its rich history when she learned about its resilience and rebirth after the 1906 earthquake and fire during a walking tour. She grew up in the United States and earned a B.A. and M.A in English. She worked as an English college instructor (where she managed to interest a class full of wary freshmen in Henry James’ fiction) and EFL teacher (using literature to teach English to business professionals) before she became a full-time writer.
Her book Lessons From My Mother’s Life debuted at #1 on Amazon in the Historical Fiction Short Stories category. She is currently working on a Gilded Age family drama titled the Waxwood Series. The first book of the series, The Specter, came out in June 2019, and the second book, False Fathers, was released in December of that year. Book 3, Pathfinding Women will be out in September 2020, and Book 4 in December 2020.
Tam lives in Texas but calls San Francisco and the Bay Area “home”. When she’s not writing, she’s reading classic literature, watching classic films, cross-stitching, or cooking up awesome vegetarian dishes.
Social Media Links
I’ve got a giveaway going on with 4 chances to win a prize! You can enter here.
The cover reveal for Pathfinding Women, Book 3 of the Waxwood Series, is here!
This is a very special cover reveal for several reasons. First, I’ve been told Pathfinding Women is the best book of the series (so far — don’t forget, there’s one last book coming out in December!) It is, I think, also the most powerful book of the series (so far…)
But more than that. It’s a book that, more than the first two of the series, highlights the struggles women were going through at the very end of the 19th century. It’s not a political book by any means, but women’s rights and suffragism and the New Woman, which are some of the historical social and psychological events I’m most passionate about, play more of a role here than in the first two books (and it will play an even bigger role in Book 4).
This cover reveal is also coming at you with a sense of timing. Today, August 26, marks the anniversary of two major events related to women’s rights. First, it’s Women’s Equality Day, a day where we celebrate the history of women’s struggle to be recognized as equals. And second, today also marks the 100th anniversary of the adaptation of the 19th Amendment in the United States constitution. This is the amendment that gave women the right to vote, so it’s a very big deal for women in America.
You can pick up your copy of Pathfinding Women, which is now on a special preorder sale, here. You can also find out more about the first book in the series, The Specter, which is also at a special price, here. And don’t forget to check out the second book of the series, False Fathers, here. If you want to know more about the series itself, this link will help you.
Want more fascinating information about history? Like social and psychological history and not just historical events and dates? Then sign up for my newsletter! Plus, you’ll get a free short story when you do :-). Here’s the link!
~~~Classic Corner is a new blog post series where I talk about classic literature that I’ve read.~~~
I’m happy to announce I have a new blog series. Every now and then, I’ll be posting about a classic book I’ve read. I read a lot of classic fiction and, unlike contemporary fiction, it takes a different mindset to enjoy classic books (which will be the subject of a future blog post). I try to bring out a little of why I enjoy classic literature so much in these blog posts, and I hope readers who might be a little wary of those “old books” will see we can enjoy these books as much as readers did at the time they were published.
When I thought about how I wanted to start this series, there was no question in my mind — I had to begin with Edith Wharton’s The House of Mirth. Wharton is one of my favorite authors, both because I love Gilded Age and Progressive Era literature, and because she is one of the godmothers of psychological fiction. Not only that, Wharton had a reputation for having been sympathetic to women’s plight and the limitations women endured in these eras, making her an early feminist writer.
The first time I read the book, I adored it. I loved the protagonist Lily Bart and saw her as a feminist character in the way she wouldn’t settle for any man, defying the Victorian ideal of the separate spheres. I also loved the descriptions of the elegant world Wharton knew, the New York elite at the turn of the century. Wharton’s novel was one of the first classic stories I read after I rejected potboiler romances in my teen years. I credit the book for beginning my love affair with classic literature.
The second time I read this book was years later while in graduate school. While my passion for the book hadn’t cooled (I still find it a page-turner), my affection for Lily Bart was a different story. By that time, I had studied quite a lot of women’s fiction and women’s history. I recognized Lily Bart as not the feminist heroine I had envisioned her the first time. I saw her as rather vain and selfish, the Victorian version of the entitlement generation. I had little patience for the ease with which she criticizes others and the snobbish airs she takes of the well-to-do New York society in which she circulates but, in terms of money and position, doesn’t really belong (the old saying, “beggars can’t be choosers” comes to mind). I was especially affected by the way she constantly puts down the one real friend she has, a working class reformer named Gerty Farish. In Lily’s eyes, Gerty is shabby, poor, and sanctimonious because she doesn’t live on Fifth Avenue, doesn’t attend afternoon teas, and works hard to help young women worse off than herself.
Photo Credit: Illustration from The House of Mirth, 1905 by A. B. Wenzell. From a scene where Lily Bart is leaving Lawrence Selden’s apartment house and passes by a woman cleaning the stairs. Note Bart’s haughty pose, as if to say “How dare this lowlife get in my way of passing on the stairs?”: Sherurcij/Wikimedia Commons/PD 1923
My third reading of the book happened a few years ago. By then, I was a published author and working on my own Gilded Age novels depicting the upper class (though mine takes place in the West Coast rather than the East Coast). I can’t say I’ve changed my views much about what kind of character Lily Bart is. I still see her, for the most part, as self-centered and shallow, though not without other redeeming qualities (like her feminine charm and self-awareness). However, since experiencing my own characters caught up in the power of wealth and social status that identified the Gilded Age in America, I realized I had been making what is probably the biggest mistake readers make when approaching classic literature: I was reading the book from the point of view of my own time and not from the perspective of the time in which it was written. Armed with some background on the era, I now understand why she behaves the way she does, what motivates her socially and psychologically.
Wharton was anxious to show the waste “old moneyed” New York put upon young women like Bart in order to be accepted into that society. Bart is a product not just of her time but of her social and psychological circumstances. She does what young women who wanted to belong to the exclusive circle of New York high society had to do. Beautiful, young women in Gilded Age New York were taught that their only asset was their looks and their willingness to comply and they had better make the most of these qualities while they could by snagging a rich husband. So Bart’s obsession with finding a rich husband may seem artificial by contemporary standards, but she was taught nothing else by her mother and the society in which she aspired to belong.
My interest in The House of Mirth isn’t just as a reader but also as a writer. In my upcoming book, Pathfinding Women, which is Book 3 of my Waxwood Series, the subject of marriage is very much on the minds of both Vivian Alderdice, the unofficial protagonist of the series, and her mother, Larissa. Vivian doesn’t have the problem that Lily Bart has (no money). Her problem is more one of age. In this book, Vivian is twenty-six, and in Gilded Age high society, any young woman who wasn’t married by the age of twenty had a problem. There are also other, more personal reasons why both Vivian and Larissa are anxious to see her married.
Last year, I wrote this blog post about the Progressive Era. But progressive reforms didn’t just begin the 20th century. The Gilded Age laid the groundwork in the last quarter of the 19th century, and especially its last decade when its dazzle of its excessiveness, idleness, and glitter were beginning to wear off, and Americans were becoming more aware of the political wrongs in the country that needed to be made right.
Women, mainly from the upper class social stratum (that is, wealthy and middle-class women) put themselves front and center as reformers during this time for several reasons. They took up issues they felt were of particular concern to, and in the domain of, women, such as sanitation, health and safety, and child labor. They saw reform as more about social problems than political problems (so they were not necessary suffragists, though the suffragists were certainly concerned about these issues as well). These women were social reformers who preferred to work within the woman’s sphere — that is, unlike the suffragists, who could rub the public the wrong way with their demand for a voice in public arenas such as politics, business, and law, women progressives preferred to work in areas that were more private.
A myriad of social changes were happening in America during the last decade of the 19th century. One of them was the economic criss brought on by the Panic of 1893. In the wake of this panic, slums in big cities like New York and Chicago grew, as well as the population of the poor elsewhere in America. Added to this, immigration increased during this time (with the opening of Ellis Island), and conflicts between laborers and employers signaled a growing concern for the rights and conditions of working women and children.
Much of this social reform took place in the settlement houses largely run by middle-class women that offered a host of services for poor and working class people in urban communities. Probably the most famous of these was Hull House in Chicago, run by Jane Addams and Ellen Gates Starr. But there were others all over the country.
Photo Credit: Telegraph Hill from Sacramento and Powell Streets, 1858-1900, Thomas Houseworth & Co., Publishers: New York Public Library/Public Domain
Since I deal with San Francisco and the Bay Area in my books, I went seeking information about settlement houses in the city in the late 19th century and found that the first one that operated was very similar to Hull House. Located on San Francisco’s Telegraph Hill (one of the most picturesque areas of the city), the Telegraph Hill Neighborhood Center opened its doors in 1890 in response to the area’s growing immigrant population and its neighborhood children being pulled out of school and play for work, Elizabeth Ashe and Alice Griffith, like Addams and Gates, were educated New Women who responded to the growing needs of the neighborhood after they got to know some of its children through their teaching of Sunday school. Like Hull House, their objective was to offer residents a myriad of social improvements, from education to physical activity. The center offered classes for children and adults and also a library, as well as a playground and gymnasium, encouraging nurture of the mind and body, as well as the soul.
In Book 3 of the Waxwood Series, women progressives make an appearance in two ways. First, there is a group called the Bay Area Women’s Social and Political Rights League made up primarily of wealthy women to which Vivian Alderdice, the main character of the series, was introduced in Book 2 by one of the Washington Street blue bloods, Marvina Moore. Vivian also meets some New Women in the book through Annette Grace, a Waxwood native who owns a pharmacy/drug store in town. Though from different classes, both these groups are concerned with women laborers and their situation in the late 19th century, and both are looking to implement social changes as the nation moves into a new century.