Pathfinding Women Launch Giveaway!!!

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Release Day Blitz for Pathfinding Women!

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new release, historical fiction, women's fiction, family saga, family drama, Gilded Age, 19th century, US history, suffragism, series
new release, historical fiction, women's fiction, family saga, family drama, Gilded Age, 19th century, US history, suffragism, series

Front Cover Photo Credit: Woman standing in forest, artist signed Dobrowloski, 1910/1919, John High Collection, Czechoslovakia: Fae/Wikimedia Commons/PD Old 70 Expired

Title: Pathfinding Women

Series: Waxwood Series, Book 3

Author: Tam May

Genre: Historical Women’s Fiction/Family Saga

Release Date: September 13, 2020

There are paths in life we have no choice but to follow.

At the close of the nineteenth century, Vivian Alderdice is twenty-six, unmarried, and has no prospective suitors. Now the heiress of the Alderdice fortune, she has yet to fulfill her duty to her family and to society: to marry well and produce heirs.

Her brother’s tragic plight the year before left her and her mother on shaky ground with the San Francisco blue bloods of Nob Hill, and the only way they can re-establish their social position is to win the heart of Monte Leblanc, a wealthy Canadian in search of a wife and looking to become a member of the exclusive Washington Street society.

But a young man on the train tells Vivian things about her grandmother that shake her to the core. Even as she is pursued by the debonair Monte Leblanc, Vivian can’t avoid ghosts from the past who send her on a journey she is reluctant to take.

You can get your copy of the book at a special promotional price from your favorite online book retailer here.

new release, historical fiction, women's fiction, family saga, family drama, Gilded Age, 19th century, US history, suffragism, series

Excerpt

“If the horses are his only vice,” said Mr. Leblanc with a chuckle, “I should say Miss Drysdell is very lucky indeed.”

“But it isn’t.” Cecily’s eyes widened. “Elizabeth Cornwall told me it’s all over England that his grandfather and great-great-grandfather both went mad of the drink. It was like poison to them.”

“Well, my dear, all families have their skeletons,” said Mr. Leblanc.

“Oh, that’s all fine when they are ancient ones,” said Fern. “It’s the skeletons still rattling in the closets that one must be careful of.” Her eyes slid toward Vivian.

Vivian’s hands grew cold, even though the coffee Mrs. Tisher had given her was still warm. “Perhaps there would be no need for the skeletons to rattle if families told the truth from generation to generation.”

“Yes, you are a great believer in the truth, aren’t you, Vivian?” Amber asked. “No matter what the consequences.”

“‘Rather than love, than money, than fame, give me truth.’” Vivian quoted. 

“You made that up right now?” Bethel’s voice was sour.

“I didn’t,” said Vivian, smiling. “Henry David Thoreau did.”

About the Author

Tam May started writing when she was fourteen, and writing became her voice. She loves history and wants readers to love it too, so she writes historical fiction that lives and breathes a world of the past. She fell in love with San Francisco and its rich history when she learned about its resilience and rebirth after the 1906 earthquake and fire during a walking tour. She grew up in the United States and earned a B.A. and M.A in English. She worked as an English college instructor (where she managed to interest a class full of wary freshmen in Henry James’ fiction) and EFL teacher (using literature to teach English to business professionals) before she became a full-time writer.

Her book Lessons From My Mother’s Life debuted at #1 on Amazon in the Historical Fiction Short Stories category. She is currently working on a Gilded Age family drama titled the Waxwood Series. The first book of the series, The Specter, came out in June 2019, and the second book, False Fathers, was released in December of that year. Book 3, Pathfinding Women will be out in September 2020, and Book 4 in December 2020.

Tam lives in Texas but calls San Francisco and the Bay Area “home”. When she’s not writing, she’s reading classic literature, watching classic films, cross-stitching, or cooking up awesome vegetarian dishes.

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I’ve got a giveaway going on with 4 chances to win a prize! You can enter here.

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COVER REVEAL: Pathfinding Women (Waxwood Series: Book 3)

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Photo Credit: Woman standing in forest, artist signed Dobrowloski, 1910/1919, John High Collection, Czechoslovakia: Fae/Wikimedia Commons /PD Old 70 Expired

The cover reveal for Pathfinding Women, Book 3 of the Waxwood Series, is here!

This is a very special cover reveal for several reasons. First, I’ve been told Pathfinding Women is the best book of the series (so far — don’t forget, there’s one last book coming out in December!) It is, I think, also the most powerful book of the series (so far…)

But more than that. It’s a book that, more than the first two of the series, highlights the struggles women were going through at the very end of the 19th century. It’s not a political book by any means, but women’s rights and suffragism and the New Woman, which are some of the historical social and psychological events I’m most passionate about, play more of a role here than in the first two books (and it will play an even bigger role in Book 4).

This cover reveal is also coming at you with a sense of timing. Today, August 26, marks the anniversary of two major events related to women’s rights. First, it’s Women’s Equality Day, a day where we celebrate the history of women’s struggle to be recognized as equals. And second, today also marks the 100th anniversary of the adaptation of the 19th Amendment in the United States constitution. This is the amendment that gave women the right to vote, so it’s a very big deal for women in America.     

You can pick up your copy of Pathfinding Women, which is now on a special preorder sale, here. You can also find out more about the first book in the series, The Specter, which is also at a special price, here. And don’t forget to check out the second book of the series, False Fathers, here. If you want to know more about the series itself, this link will help you.

Want more fascinating information about history? Like social and psychological history and not just historical events and dates? Then sign up for my newsletter! Plus, you’ll get a free short story when you do :-). Here’s the link!

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Resort Life in the 19th Century

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Photo Credit: The Beach and The Sea, Blankenberghe, Belgium, from “Views of Architecture and Other Sites in Belgium” catalogue, 1905, Detroit Publishing Company: Fae/Wikimedia Commons/PD Art (PD old 100)    

“Get a thousand people crowded into one hotel … and let ’em buzz around—that seems to be the present notion of enjoyment.” (Warner, location 22)

If you’ve subscribed to my newsletter or have been reading my blog, you know Waxwood, the setting for the Waxwood Series, is a small seaside town that morphs into an exclusive resort town as the 19th century comes to a close (to read about the real town that inspired Waxwood, go here). Starting in Book 2, False Fathers, the Alderdices become one of the many wealthy Gilded Agers who make staying at a resort for the summer season part of their yearly agenda. 

My original conception of the series included the idea of the Alderdices spending their summers in a small resort town. But I didn’t realize that there was a thing such as resort life until I read Charles Dudley Warner’s book Their Pilgrimage. Warner was a contemporary of Mark Twain and, in fact, cowrote with Twain the book that coined the term “the Gilded Age” (which you can read more about here). Published in 1884, Warner’s book takes place at the height of this age and focuses on the rocky romance between a young man born to “old money” and a young woman of the “new money” class. The romance happens against a backdrop of resort town life, where King and his artist friend and the Bensons wander around from one hotel to another along the East Coast.

Resort life for the wealthy, as Warner depicts it, was relaxing, exciting, and, many times, boring. Some traveled for their health to places such as Palm Springs in California. Others traveled in the winter to get away from harsh weather in their home town. And many did it because it was “the thing to do” among the wealthy. 

The idea of seeing and being seen was prevalent throughout the Gilded Age, and resort life offered just the platform for this. As one guest remarks to King, “‘So few women know how to listen; most women appear to be thinking of themselves and the effect they are producing’” (Warner, location 146). What people do or what they see seems less important than who they see and who they know. At the same time, the anonymity of resort life gave the tightly-laced Gilded Age blue bloods a freedom to be themselves that they didn’t have at home. King himself observes, “[It] is precisely in hotels and to entire strangers that some people are apt to talk with less reserve than to intimate friends” (Warner, location 164). Away from the resorts, wealthy Gilded Agers had to watch what they said and did so as not to be shunned by their neighbors or get their names in the papers. But at a hotel, no one knew them, and they could loosen their grip a little bit.

Resort life was predominantly for women, though there were men and children as well. The hard-working, aggressively competitive Gilded Age man couldn’t take time off for vacations in the Gilded Age. Ironically, women found a level of release and independence in the resort hotels that they couldn’t have at home, with the rigid boundaries of the separate spheres:

“There was a preponderance of women, as is apt to be the case in such resorts… American men are too busy to take this sort of relaxation, and that the care of an establishment, with the demands of society and the worry of servants, so draw upon the nervous energy of women that they are glad to escape occasionally to the irresponsibility of hotel life. (Warner, location 68)

There were some who traveled year round, going to summer resorts in the winter and to winter resorts in the summer. Resort life was so popular that these hotels were often crowded to capacity during the season. Warner makes a keen observation about the atmosphere at these resort towns and hotels at the beginning and end of the season:

“The first man of the season is in such a different position from the last. He is like the King of Bavaria alone in his royal theatre… It is a very cheerful desolation, for it has a future, and everything quivers with the expectation of life and gayety… Nothing is so melancholy as the shabbiness of a watering-place at the end of the season, where is left only the echo of past gayety…” (Warner, location 276-281)

The resort towns, then, were aimed at offering luxury and leisure to their wealthy guests but became like ghost towns when those guests left.

The Alderdice family aren’t exactly the kind of Gilded Age traveler Warner’s novel depicts. They come to Waxwood for summers, but their lives are firmly rooted in San Francisco. But, like their blue blood companions, they take full advantage of the extravagances offered once they do arrive and, in more ways than one, they become different people immersed in resort life for even just that short a time.

You can read about the Alderdices’ experience of resort life in Book 2 of my series, False Fathers. Book 3, Pathfinding Women, coming out this summer, also gives you a sense of resort life in the last year of the 19th century. If you want to find out more about the Waxwood Series, you can check out this page.               

Want more fascinating information about history? Like social and psychological history and not just historical events and dates? Then sign up for my newsletter! Plus, you’ll get a free short story when you do :-). Here’s the link!

Works Cited:

Warner, Charles Dudley. Their Pilgrimage. 1884. A pubic domain book. Kindle digital file.

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Classic Corner: Edith Wharton’s The House of Mirth (1905)

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Photo Credit: Book cover for the Dover Thrift Edition of Edith Wharton’s The House of Mirth, 2002, uploaded 6 July 2008 by Wolf Gang: Wolf Gang/Flickr/CC BY SA 2.0

~~~Classic Corner is a new blog post series where I talk about classic literature that I’ve read.~~~

I’m happy to announce I have a new blog series. Every now and then, I’ll be posting about a classic book I’ve read. I read a lot of classic fiction and, unlike contemporary fiction, it takes a different mindset to enjoy classic books (which will be the subject of a future blog post). I try to bring out a little of why I enjoy classic literature so much in these blog posts, and I hope readers who might be a little wary of those “old books” will see we can enjoy these books as much as readers did at the time they were published.

When I thought about how I wanted to start this series, there was no question in my mind — I had to begin with Edith Wharton’s The House of Mirth. Wharton is one of my favorite authors, both because I love Gilded Age and Progressive Era literature, and because she is one of the godmothers of psychological fiction. Not only that, Wharton had a reputation for having been sympathetic to women’s plight and the limitations women endured in these eras, making her an early feminist writer.

The first time I read the book, I adored it. I loved the protagonist Lily Bart and saw her as a feminist character in the way she wouldn’t settle for any man, defying the Victorian ideal of the separate spheres. I also loved the descriptions of the elegant world Wharton knew, the New York elite at the turn of the century. Wharton’s novel was one of the first classic stories I read after I rejected potboiler romances in my teen years. I credit the book for beginning my love affair with classic literature.

The second time I read this book was years later while in graduate school. While my passion for the book hadn’t cooled (I still find it a page-turner), my affection for Lily Bart was a different story. By that time, I had studied quite a lot of women’s fiction and women’s history. I recognized Lily Bart as not the feminist heroine I had envisioned her the first time. I saw her as rather vain and selfish, the Victorian version of the entitlement generation. I had little patience for the ease with which she criticizes others and the snobbish airs she takes of the well-to-do New York society in which she circulates but, in terms of money and position, doesn’t really belong (the old saying, “beggars can’t be choosers” comes to mind). I was especially affected by the way she constantly puts down the one real friend she has, a working class reformer named Gerty Farish. In Lily’s eyes, Gerty is shabby, poor, and sanctimonious because she doesn’t live on Fifth Avenue, doesn’t attend afternoon teas, and works hard to help young women worse off than herself.

Photo Credit: Illustration from The House of Mirth, 1905 by A. B. Wenzell. From a scene where Lily Bart is leaving Lawrence Selden’s apartment house and passes by a woman cleaning the stairs. Note Bart’s haughty pose, as if to say “How dare this lowlife get in my way of passing on the stairs?”: Sherurcij/Wikimedia Commons/PD 1923 

My third reading of the book happened a few years ago. By then, I was a published author and working on my own Gilded Age novels depicting the upper class (though mine takes place in the West Coast rather than the East Coast). I can’t say I’ve changed my views much about what kind of character Lily Bart is. I still see her, for the most part, as self-centered and shallow, though not without other redeeming qualities (like her feminine charm and self-awareness). However, since experiencing my own characters caught up in the power of wealth and social status that identified the Gilded Age in America, I realized I had been making what is probably the biggest mistake readers make when approaching classic literature: I was reading the book from the point of view of my own time and not from the perspective of the time in which it was written. Armed with some background on the era, I now understand why she behaves the way she does, what motivates her socially and psychologically. 

Wharton was anxious to show the waste “old moneyed” New York put upon young women like Bart in order to be accepted into that society. Bart is a product not just of her time but of her social and psychological circumstances. She does what young women who wanted to belong to the exclusive circle of New York high society had to do. Beautiful, young women in Gilded Age New York were taught that their only asset was their looks and their willingness to comply and they had better make the most of these qualities while they could by snagging a rich husband. So Bart’s obsession with finding a rich husband may seem artificial by contemporary standards, but she was taught nothing else by her mother and the society in which she aspired to belong.

My interest in The House of Mirth isn’t just as a reader but also as a writer. In my upcoming book, Pathfinding Women, which is Book 3 of my Waxwood Series, the subject of marriage is very much on the minds of both Vivian Alderdice, the unofficial protagonist of the series, and her mother, Larissa. Vivian doesn’t have the problem that Lily Bart has (no money). Her problem is more one of age. In this book, Vivian is twenty-six, and in Gilded Age high society, any young woman who wasn’t married by the age of twenty had a problem. There are also other, more personal reasons why both Vivian and Larissa are anxious to see her married.

Want to know more about this upcoming book? You can read about Pathfinding Women, which will be out in August 2020, here. If you’d like more information about the series, take a look at this page.

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