Since I’m focusing on National Women’s History Month on my blog this week, I thought I would end the week with some inspirational quotes from some of the women who made history throughout the years. Enjoy!
“I do not wish [women] to have power over men; but over themselves.”
— Mary Wollstonecraft
“If the first woman God ever made was strong enough to turn the world upside down all alone, these together ought to be able to turn it back and get it right side up again.”
— Sojourner Truth
“I am not free while any woman is unfree, even when her shackles are very different from my own.”
— Audre Lorde
“Women have always been an equal part of the past. We just haven’t been a part of history.”
— Gloria Steinem
Elle.com. “81 Gloria Steinem Quotes to Celebrate Her 81st Birthday.” Elle. 25 March 2015. Web. 26 February 2020.
Kelly, Erin. “33 Inspirational Quotes for Women That Can Make Anyone Feel Empowered.” ATI. 26 April 2018. Web. 26 February 2020.
Photo Credit: American suffragists, members of the American contingent that took part in the Women’s Social and Political Union’s 23 July 1910 procession, monochrome photo, World’s Graphic Press Limited: LSE Library/Flickr/No known copyright restrictions
March is National Women’s History Month, where we look at all the accomplishments of women past generations. And we certainly have had a lot we’ve had to accomplish!
I thought I’d do a survey of some of the important women’s issues throughout the years, particularly focusing on some of the eras that I’ve written about like the Gilded Age, the Progressive Era, and the era of “Occupation: Housewife”. There is so much we can say about women’s struggles throughout history, but there are issues that have always interested me and that have affected women’s psychological and social presence and progress more than others.
In the mid-19th century, the first dregs of organized suffragism emerged with names now branded in history such as Susan B. Anthony, Lucretia Mott, and Elizabeth Cady Stanton. I introduced the struggles of women’s suffragism during this time in this blog post . During the 19th century, much of the effort was focused on one solitary goal: to win women the right to vote. The fact that women were fighting for this one fundamental but critical aim says a lot about how women were seen in the 19th century, and I talk here about the psychological and social ideology behind how women were treated during this era.
In the beginning of the 20th century, when progressive movements were taking center stage, suffragism continued with women such as Jane Addams, Alice Paul, and Ida B. Wells. They continued to fight for the vote for women and achieved success when the 19th Amendment was ratified in the United States in 1920. But the Progressive Era also brought awareness to many women that it wasn’t just about the right to vote and have a voice in the public sphere. It was also about a psychological freedom and throwing off the shackles of 19th century rigid definitions of femininity that limited what women could and could not do and be. Thus emerged a new image of the New Woman who was active, athletic, and could move her mind and body more freely than her mothers and grandmothers.
If we jump to the mid-20th century, we find that things aren’t so empowering. After the fight for women’s suffragism and breaking the stereotype of the Victorian “angel in the house”, the post World War II generation brought it back. During this time, there emerged what Betty Friedan labeled the feminine mystique. Magazines, advertisements, the media, and the medical establishment all pushed forward the idea that women’s place was in the home and their identities tied up in their roles as mothers, wives, daughters, caretakers — in short, in their relationships to others rather than in and of themselves. Friedan found that these women in American suburbs who were living a life that fulfilled this destiny were not happy and suffered from what she labeled The Problem That Has No Name. This was a problem of discontentment, as many of these women felt that something missing from their lives that they couldn’t define.
Friedan’s book and others which identified the same disillusionment with the feminine mystique eventually led into the second-wave feminist movement in the late 1960s and 1970s with activists such as Friedan, Gloria Steinem, and Bell Hooks, among others. These women, whose slogan was “the personal is political” went further than the political sphere of the 19th and early 20th century suffragists. They honed in on more social and personal oppressions of women, including issues such as domestic violence, rape, and reproductive rights.
I discovered feminism when I was in college, and it opened up a whole new world for me. Up until then, I had very little sense of what women before me had been up against, nor did I really have a sense of my own oppression. This wasn’t because I grew up in a very liberated household. On the contrary, my well-meaning parents followed a very patriarchal model, both having come of age in the era of “Occupation: Housewife”. I discovered women’s fiction in college and started exploring historical texts like Mary Wollstonecraft’s A Vindication of the Rights of Women (1792) and Virginia Woolf’s A Room of One’s Own (1929) and since then, my writing has always brought in elements of women’s psychological and social issues embedded with the characters’ psychological reality, even when the story was about something entirely different. For example, in False Fathers, the second book of my Gilded Age family drama, the Waxwood Series, the novel focuses on a male character, but the story also contains mentions of Vivian Alderdice, the unofficial protagonist of the series, whose awareness of women’s oppression is beginning to infiltrate her consciousness. This is a theme I will explore much more in the third and last books of the series coming out later this year. Similarly, my upcoming book, Lessons From My Mother’s Life, the five stories were inspired by my reading of The Feminine Mystique and the idea of The Problem That Has No Name.
You can order Lessons at a special preorder price now on this page. You can also find out more about the Waxwood Series here=. And I’ll be launching a historical mystery series called The Paper Chase Mysteries featuring a turn-of-the-century New Woman sleuth in the future, which you can find out more about here.
Photo Credit: Women in the Home flier, created by the Woman Suffrage Party of the city of New York, 1897-1911, Library of Congress: Picryl/Public Domain Certification
“[A]s the Victorian culture did not permit women to accept or gratify their basic sexual needs, our culture does not permit women to accept or gratify their basic need to grow and fulfill their potentialities as human beings, a need which is not solely defined by their sexual role.” (Friedan, p. 77)
I’ve been talking a lot in the last month or so about two historical concepts related to women and gender that were the inspiration for many of the stories and themes in my upcoming book, Lessons From My Mother’s Life. They both come from Betty Friedan’s 1963 ground-breaking book, The Feminine Mystique. The first is what Friedan called “The Problem That Has No Name,” an unidentifiable something that was wrong with the 1950s housewife whose life was supposed to be so fulfilling and so perfect. I wrote about that here. The other was the idea of the feminine mystique, an idealization of women in which their only destiny was as wives and mothers, which I discuss here.
While I was reading Friedan’s book, I had a sense of déjà vu, like “um, haven’t I seen this stuff before?” In writing the stories in Lessons, it hit me why the characters were so familiar to me. It’s because the idea of the feminine mystique reminded me of the idea of the separate spheres I discussed a while back in this blog post. You might recall this concept (which originated in the 18th century but gained ground in the 19th century) was about women and men belonging in separate areas of life: men in the public sphere (politics, finance, law, etc) and women in the private sphere (home, church). The idea was that each gender fulfilled his/her destiny within that limited sphere and any man or woman venturing into the other’s sphere was considered improper at best, an abnormality at worst (like the New Woman caricatures in the late 19th and early 20th centuries, where women were pictured in bloomers, smoking cigarettes, and standing over their poor, overworked husbands while the men washed the dishes wearing aprons).
Similarly, women of the 1950s, especially American suburban housewives were told by everyone and everything around them that their one identity in life was as an ultra-feminine wife and mother and their place was in the home. But, like their Victorian sisters, they felt uneasy about this and that something was wrong with this picture. Friedan, who compares the the 1950s housewife and the feminine mystique to the Victorian woman and sex, notes:
“The image of a good woman by which Victorian ladies lived simply left out sex. Does the image by which modern American women live also leave something out, the proud and public image of the high-school girl going steady, the college girl in love, the suburban housewife with an up-and-coming husband and a station wagon full of children?” (Friedan, p. 24)
It is, in fact, what the ideal left out that encouraged the women’s suffragist movement to gain more support in the late 19th and early 20th centuries, eventually leading to legislative changes, specifically, the ratification of the 19th amendment in America in 1920. It was also partly Friedan’s ideas about the feminine mystique and The Problem That Has No Name that led to the second-wave women’s movement in the late 1960s and 1970s, sparked by slogan “the personal is political” which completely overturned the concept of the separate spheres by insisting there were in fact no separate spheres. Both were equal in weight for both genders.
Some of the women in the stories from Lessons have to contend with not only the feminine mystique and The Problem That Has No Name, but also with the antiquated idea of the separate spheres. For example, in “Fumbling Toward Freedom,” Susan’s husband-to-be, a medical student, teases her about her desire to see “something cultural” during a weekend visit to San Francisco. Culture was considered the public sphere in the 19th century and Susan’s attempts to enter it earn her well-meaning fiancé’s doubt and mockery nearly one hundred years later.
To read more about Susan and the other women in the stories, you can buy Lessons From My Mother’s Life at a special preorder price here. If you’d like to read more about another character, Leanne, you can read this blog post.
Friedan, Betty. The Feminine Mystique (50th Anniversary Edition). W. W. Norton & Company, 2013 (original publication date: 196). Kindle digital file.
Photo Credit: Susan B. Anthony and Elizabeth Cady Stanton, the godmothers of the women’s suffragist movement, in the Gilded Age, 1891, Library of Congress, Prints and Photographs Division: Taterian/Wikimedia Commons/PD US expired
Last week, on August 18, to be exact, was the 99th anniversary of the day that the 19th amendment (giving women the right to vote) was ratified in America. I have written many times in my blog posts about the fact that women’s social and psychological position in history is of paramount interest to me and plays a role often in my fiction. This is true of The Specter, the first book of my Waxwood Series. I talk more about that in my blog post about why I write women’s fiction.
So in honor of the day, I thought I’d look into women’s suffragism in America in the 19th and early 20th centuries, before the amendment was ratified, which was in 1920. First, we must distinguish between women’s suffragism and women’s rights, because they are actually not the same thing. The former refers only to the political right for women to vote. The latter, on the other hand, is a broader term that encompasses more specific political, social, economical, and psychological aspects of women’s freedom to act and be. Once women got the right to vote, women’s suffragism was no longer necessary, but the fight for other rights for women was and still is.
Why were women so concerned about getting the right to vote in the 19th century? Actually, they weren’t — no at the beginning, that is. By the “beginning”, I mean the 1840’s when the idea of women’s suffrage was first formed. The Seneca Falls Convention is generally considered the birth of the women’s suffragist movement and for good reason. It was the first time women organized to discuss their rights and make decisions as to what they wanted to accomplish in their efforts to ensure women were seen and treated as free and equal beings. The convention participants made eleven resolutions to this effect, all of which you can read fully here. What is interesting to me is that these resolutions keep within the framework of the separate spheres. Women were expected to remain in the private sphere, that is in the home and church, perceived as “angels in the house” — virtuous, morally superior to men, and too fragile to handle the dog-eat-dog world of the public sphere. The majority of resolutions don’t challenge this perception and in fact ask for equal and respectful treatment of women in their own sphere. There is one exception — Resolution #9, which declares the right of women to vote. Not surprisingly, this was the only resolution to stirred up controversy and was not voted unanimously by the participants. It may have been that the idea of women having a voice in the public sphere was too revolutionary to consider at that time.
However, in the Gilded Age, the idea of women having the vote started to become feasible in the minds of many women suffragists. Women’s political organizations began to form in the 1870’s specifically geared toward pushing government to pass an amendment allowing women to vote. Several women, including Susan B. Anthony, one of the godmothers of the Seneca Falls Convention, boldly went to the polls to vote and were turned away. Anthony succeeded in voting and was arrested for doing so. Women filed lawsuits but the Supreme Court ruled in 1875 to reject women’s suffragism as a right, claiming that the constitution does not grant suffragism to any group, including women.
Women suffragism had many detractors, both male and female, and caricatures abounded in the papers. Here’s one where the supposed horrific consequences of giving women the vote is depicted, with women lining up to vote for the “Celebrated Man Tamer” while the harassed-looking man at the end of the line has a baby thrust in his arms to allow his wife to vote.
Photo Credit: The age of brass. Or the triumphs of women’s rights, Currier & Ives, 1869, lithograph, New York: Churchh/Wikimedia Commons/PD US
After this failure, women suffragist groups took a different tactic, one that is distinctly American. They figured that if they could lobby individual state legislators so that laws were passed granting women the vote in individual states, the federal government would soon follow. They were right, though it took about forty years. But by 1920, when the 19th amendment was ratified, according to the U.S map here, about three-quarters of the states had either granted full voting rights to women or partial voting rights.
Many of us have heard of the guerrilla tactics used by women suffragists in Great Britain which were dramatized in the 2015 film Suffragette. Interestingly, American suffragists used less militant tactics to reach their goal. They mainly lobbied, petitioned, and picketed. This is not to say some didn’t experience their fair share of violence, though. One infamous example is the 1917 Night of Terror, where women’s picketing the White House led to torture and violence when they were jailed. However, a year later, the courts ruled that jailing suffragists was unconstitutional, and, two years later, women in all states in the nation gained full voting rights.
Women suffragism doesn’t play a big role in terms of the political stage in the Waxwood Series, though there are certainly stirrings of it. A minor character in the series, a wealthy widow named Marvina Moore, befriends Vivian and becomes a supporter of suffragism, educating Vivian as the series progresses. In my upcoming historical mystery series, The Paper Chase Mysteries, women’s suffragism plays a more active role in Adele’s character, especially her views on the more militant aspects of the movement.
To learn more about The Specter and order a copy, go here. To learn more about the Waxwood Series, you can take a look at this page on my website. If you like mysteries and are interested in finding out more about The Paper Chase Mysteries, you can do so here.