1890s – Empowering women through fiction and history.

A Safe and Sane 4th of July

Today is Independence Day in America, also known as the 4th of July. Americans have always been enthusiastic about their freedom, especially when you consider it’s an integral part of the American way of life. The Gilded Age and Progressive Era were no exception. America was coming into its own during the late 19th/early 20th centuries in commerce, politics, and society. The Spanish-American War of 1898 brought America onto the world stage for the first time. Things were pretty good.

But Americans carried their enthusiasm a little too far. We know the staples of 21st-century 4th of July celebrations. It’s a social holiday with family BBQs and fireworks to boot. The latter is especially synonymous with Independence Day for most Americans. I’ll never forget the first fireworks display I saw when I was living in San Francisco in 1995 at Crissy Field. It was an impactful show of country spirit and dedication.

Photo Credit: Drawing of a skeleton dressed up for the 4th of July celebrations, 1899, lithograph, created by L. Crusius, Welcome Collection: Look and Learn/CC BY 4.0

It’s hard to believe in the Progressive Era, some politicians were pushing for a “quiet” 4th of July, encouraging Americans to stay home instead of going out and celebrating with fireworks. But they had good reason. The enthusiasm for the 4th had by that time gotten out of hand. Children were going around shooting off toy guns to join in the fun and sometimes their aim wasn’t so careful. Fireworks, as you might imagine, weren’t exactly sophisticated in those days so safety wasn’t a priority. In addition, when people set off canons, firecrackers, and other explosives, they caused many injuries and even death. And we’re talking serious statics here. In 1903 (the year my Adele Gossling Mysteries opens), more than 400 people died and 4,000 were injured during the nation’s 4th of July celebrations. Many of these came from tetanus as a result of shrapnel wounds from dangerous explosives or careless toy guns.

These well-wishers of what was dubbed the Safe and Sane movement weren’t exactly welcomed with open arms. We know many Americans made fun of the reform movements taking place in the early 20th century and they resented these politicians who wanted to take away their fun on Independence Day. Many cities began to implement ordinances to try and curtail these dangerous celebrations. In San Francisco (where part of my series takes place) women’s clubs worked to get toy guns out of the hands of kids younger than seventeen.

This movement encouraged other cities to implement more community-related events around the Fourth (like the yearly firework display at Crissy Field in San Francisco that I saw in the 1990s). Other events besides fireworks were sports, games, and picnics. These events gave Americans a chance to celebrate the holiday in a social environment that was, well, safe and sane!

Want to see more Progressive Era politics in action? Read the Adele Gossling Mysteries! Book 1 is available for free. Book 2 is on sale now!

If you love fun, engaging mysteries set in the past, you’ll enjoy my novella The Missing Ruby Necklace! It’s available exclusively to my newsletter subscribers and you can get it here. By signing up, you’ll also get news about upcoming releases, fun facts about women’s history, classic true-crime tidbits, and more!

Release Day Blitz for Waxwood Series Complete Box Set!

Title: The Complete Waxwood Series Box Set: Books 1-4

Series: Waxwood Series

Author: Tam May

Genres: Historical Fiction/Women’s Fiction

Release Date: June 29, 2024

One woman’s journey to self-discovery in the Gilded Age could destroy everything she’s ever known.

“May’s historical fiction picks apart the delicate facade of American gentility in upper-class, well-heeled families on the wild West Coast at the end of the nineteenth century.” – Lisa Lickel, author and blogger, Living our Faith Out Loud

In this 4-book box set:

Book 1: The Specter: Vivian Alderdice is not your typical Gilded Age debutante. In the midst of her glamorous life of parties and balls, her grandmother dies. A woman shows up at the funeral claiming the woman she knew was not Penelope Alderdice, Nob Hill socialite and wife of the city’s biggest shipping tycoon but Grace Carlyle, an artist in search of adventure in a small coastal town named Waxwood. Is the intruder a crank or, as Vivian’s mother claims, “confused”? Or is she telling the truth? Vivian’s determination to find out takes her into the life of the woman she thought she knew, uncovering family lies kept hidden for over forty years.

Book 2: False Fathers: At nineteen, Vivian’s brother Jake has a huge burden on his shoulders. His mother expects him to take his place as the new head of the family, but Jake hardly has the qualities of a patriarch. When the family goes to Waxwood for the summer, Jake befriends an older, illusive man prepared to teach him all he needs to know about Gilded Age manhood. But is his mentor all he claims to be? Or is he a wolf in sheep’s clothing? Will Jake discover the true meaning of Gilded Age masculinity or will he redefine it?

Book 3: Pathfinding Women: Vivian Alderdice is now twenty-six, unmarried, and has no prospective suitors. Her brother’s tragic plight the year before left the family on shaky ground in Nob Hill society. Their social position depends on Vivian capturing the heart of a wealthy Canadian bachelor determined to become a member of their exclusive society. But to win him, she and her mother must spend the summer in Waxwood. When a young man she meets on the train brings skeletons of the past out of the closet, Vivian finds herself torn between fulfilling her social obligations or embarking on a journey to uncover more family lies. Will Vivian’s summer unravel truths that might destroy the Alderdices forever? Or will she unearth a more authentic version of herself as the new century approaches?

Book 4: Dandelions: For Vivian Alderdice, the twentieth century begins with a new start. Now a working woman and progressive reformer, she’s forsaken the elegance of Nob Hill for the more modest Waxwood. She’s laid Penelope Alderdice’s specter to rest at last. But Vivian’s peaceful existence is thrown into turmoil when the man who ruined her brother’s life appears like another specter she must exorcise. At first, Vivian hates him with a passion. But when she sees how his own undiscovered past has destroyed him, leaving him helpless in the hands of a cousin who hates him worse than she does, she finds herself wanting to help. Is it his journey Vivian will discover in the dark forest of guilt and betrayal or her own?

About the Author

Writing has been Tam May’s voice since the age of fourteen. She writes stories set in the past that feature sassy and sensitive women characters. Tam is the author of the Adele Gossling Mysteries which takes place in the early 20th century and features suffragist and epistolary expert Adele Gossling whose talent for solving crimes doesn’t sit well with her town’s conventional ideas about women’s place. Tam is also working on a new series, the Grave Sisters Mysteries about three sisters who own a funeral home and help the county D.A. solve crimes in a 1920s small California town, set to release in 2025. She has also written historical fiction about women breaking loose from the social and psychological expectations of their era. Although Tam left her heart in San Francisco, she lives in the Midwest because it’s cheaper. When she’s not writing, she’s devouring everything classic (books, films, art, music) and concocting yummy plant-based dishes, and exploring her new riverside town.

Social Media Links

Facebook: https://www.facebook.com/tammayauthor/

Instragram: https://www.instagram.com/tammayauthor/

Pinterest: https://www.pinterest.com/tammayauthor/

Amazon Author Page: https://www.amazon.com/Tam-May/e/B01N7BQZ9Y/

BookBub Author Page: https://www.bookbub.com/authors/tam-may

Goodreads Author Page: https://www.goodreads.com/author/show/16111197.Tam_May

Historical Coming-of-Age: Is That Even A Thing?

I’ve always loved coming-of-age stories (and especially adult coming-of-age, which is a topic for another blog post). There is just something about a young woman or young man standing at the edge of the precipice and trying to figure it all out that appeals to me. After all, even those of us in our thirties, forties, and older are trying to figure out this thing called life, right? The difference is, we take from our past experiences while an 18, 19, or even 20-year-old is just starting their journey of discovery.

So it’s perhaps not a big surprise that recently I dug deeper into my Waxwood Series and made a startling discovery — the series I’ve been toting as a family saga since the first book was published in 2019 isn’t a family saga at all!

Why? Because the story arc of this series (which basically means the transformation the main character, Vivian Alderdice, experiences throughout the entire series) is about her journey to maturity. She begins at the age of eighteen in Book 1 to know exactly what she is about and what’s expected of her. Then a startling revelation sends her searching back into her family’s past which unearths some disturbing truths about who she is (or rather, who she thought she was). As the series progresses, she teeters between wanting to follow the expectations set for a Gilded Age heiress (because it’s a no-brainer and because she doesn’t want to disappoint her family) and her own feelings of discomfort that something just isn’t right. Another search for family truth (in Book 3) sends her in a totally different direction and becomes a book about letting go of a lot of things. Book 4 is the ultimate post-maturation moment where she realizes it’s not just about her but about those with whom she interacts — even those she thought she hated.

Interstingly, Voltaire’s book was banned in its day for being blasphemous, politically hostile, and immoral.

Photo Credit: Title page of Candide by Voltaire, London: Nonsuch Press, 1939: UMD Special Collections and University Archives/Flickr/CC BY NC ND 2.0

The coming-of-age novel is really not a new thing, though we’ve been hearing a lot more about it since the 21st century (probably because social media and the internet have provided a platform for young adults to share their experiences of what it’s like trying to navigate an increasingly complex and disturbing world). It actually began with the folk tales of children seeking their fortunes away from home. In its more well-known format of the young adult trying to figure it all out, English majors know well the term Bildungsroman. I remember in my undergraduate work having a course just on this set of novels where we studied Henry Fielding’s The History of Tom Jones (1749), Candide by Voltaire (1759), and The Life and Opinions of Tristram Shandy, Gentleman by Lawrence Sterne (1759). These novels are more about the antics and questionable ethics of the main characters before they find their way.

Luckily, coming-of-age stories don’t have to be about the young adult getting into all kinds of trouble in order to navigate his or her place in the world. The 19th century was complex enough on its own. Vivian is not only trying to find out who she is as a person apart from the Alderdice fortune, she’s also trying to deal with a world that was rapidly changing. The Waxwood Series takes place during the Gilded Age, a time that was confusing enough for adults, let alone young people.

If you’re interested in checking out my historical coming-of-age series, you can start by picking up a copy of Book 1, The Specter, here. The book is free on all bookstore sites. Also, Book 3 of the series, Pathfinding Women, is discounted for a limited time, so grab it here.

*Although this is a series, the books can be read on their own. You do not have to have read Book 2 or even Book 1 to enjoy Book 3.

If you love fun, engaging mysteries set in the past, you’ll enjoy The Missing Ruby Necklace! It’s available exclusively to newsletter subscribers here. By signing up, you’ll also get news about upcoming releases, fun facts about women’s history, classic true-crime tidbits, and more!

A Gilded Age New Year

Photo Credit: Fanciful sketch of a New Year’s Eve celebration, Marguerite Martyn, 1914, St. Louis Post-Dispatch, 4 January 1914, Editorial Section: BeenAroundAWhile/Wikimedia Commons/PD US

Since this is the holiday season, I’ve been reflecting on the holidays in history, particularly in the 19^th century. I wrote about Thanksgiving and Christmas in the Gilded Age. No holiday discussion could be complete without New Year’s.

New Year’s in the 19^th century was then, as it is today, about seeing off the old year and bringing in the new. In the earlier part of the century, celebrations were rather modest. It was not uncommon to have a “watch night” on New Year’s Eve where people (especially in rural areas) would watch and wait for the clock to strike midnight so they could leave their old sins behind and begin the new year fresh to commit new ones.

Gilded Agers turned New Year’s into a real party holiday for the same reasons they turned Thanksgiving into a dining extravaganza: They wanted to show off. So they threw lavish parties and “invitation only” balls that included eight-course dinners and plenty of champagne even before the clock struck midnight. There are anecdotes about these Gilded Age party-goers, most of them wealthy, who were indeed determined to leave their sins behind them in the old year. It was not uncommon for them to go from house party to house party, making complete fools of themselves, and getting their names in the society columns the next morning. What a way to start the new year!

There were other traditions that are staples of New Year’s which came in the 19^th century. One of them is the song “Auld Lang Syne,” a sentimental farewell to old friends and experiences. The song was actually an 18^th century ballad composed by Scottish poet Robert Burns, and the tradition of singing it at midnight on New Year’s Day began in the mid-19^th century, though it wasn’t until later in the 1920s that it became a permanent staple of our New Year’s tradition.

And the famous New Year’s Eve ball, that gigantic globe of light that drops at midnight every year in Times Square? That originated on New Year’s Day in 1905. The original ball was seven hundred pounds of iron and wood with a hundred light bulbs. The ball has been updated several times, the last in 2008, so it now weighs over twelve hundred pounds. Rather than lowered by hand with ropes as the original ball was, it now has a laser atomic clock located in Colorado.

I don’t think it’s a far stretch to say we still do, in a way, have our “watch night” where we wait impatiently for midnight to strike so we can let go of the old year’s sins and enter the new fresh. In fact, the reason New Year’s Day is on January 1st has to do with just that idea. Julius Cesar was the one who implemented the new calendar year to begin on that day, naming the first month of each new year January after Janus, the Roman god of new beginnings. Janus has two faces — one face facing front and the another face in the back of his head. Why? So that he can look back to the past and look forward to the present and future. For anyone who has read my fiction, this is exactly what my characters do. So, in essence, if I had to chose a holiday that belonged to the Waxwood Series, it would be New Year’s.

Want to read about how Vivian Alderdice looks back into the past to find her future? Start reading the Waxwood Series for only 99¢! Get all the information here.

Is the life of a Gilded Age debutante all parties and flirtations? Read “The Rose Debutante” to find out! It’s FREE! Plus, you’ll get to know about life in the past and about the resilient women the history books forgot. And how about fun historical facts, great deals on historical fiction books, and a cool monthly freebie thrown in just because? Here’s where you can sign up.