Release Day Blitz for Adele Gossling Mysteries Box Set: Books 1-3!

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Title: Adele Gossling Mysteries Box Set 1: Books 1-3 (Adele Gossling Mysteries Box 

Series: Adele Gossling Mysteries

Author: Tam May

Genres: Historical Cozy Mystery

Release Date: November 25, 2023

Can a forward-thinking woman help the police solve crimes in a backward-thinking town?

“Great new series!”

Smart, inquisitive, and a firm believer in Progressive Era reforms, Adele Gossling seeks a new life after the devastating death of her father. She flees San Francisco for the town of Arrojo, planning a life of peace and small pleasures. But both elude her when she and her spiritual sidekick, Nin Branch, get involved in helping the local police solve the case of a dead debutante, a poisoned schoolteacher, and a family matriarch who may or may not have left a generous will.

The Carnation Murder: Adele Gossling has barely been in Arrojo for a week when she discovers her neighbor’s dead body in her gazebo. Can Adele and Nin solve this puzzling case involving a striped carnation, a diamond ring, a note, a muddy pair of boots, and a broken promise?

A Wordless Death: Millie Gibb, the new teacher at the local girl’s school, is found dead and everybody in town assumes the homely, unmarried spinster committed suicide. Can Adele and her clairvoyant friend Nin prove Millie’s death was foul play based on a cigar stub, a letter fragment, and a cigarette lighter before the case is closed for good?

Death at Will: When the affluent Thea Marsh dies unexpectedly, the trail of suspects leads to Thea’s beloved and favored eldest son, Theo. Will Adele make a case against Theo’s guilt for the police out of a stained teacup, a fountain pen nib, ashes that should have been in the fireplace, and daisies that should have been fresh?

Pick up this box set of the first three Adele Gossling Mysteries and immerse yourself in turn-of-the-century Northern California in all its dynamic and chaotic glory for a fun and cozy read!

You can get your copy of this box set at a special price at the following online retailers.


About the Author

Writing has been Tam May’s voice since the age of fourteen. She writes stories set in the past that feature sassy and sensitive women characters. Tam is the author of the Adele Gossling Mysteries which take place in the early 20th century and features suffragist and epistolary expert Adele Gossling whose talent for solving crimes doesn’t sit well with the town’s more conventional ideas about women’s place. She has also written historical fiction about women breaking loose from the social and psychological expectations of their era. Although Tam left her heart in San Francisco, she lives in the Midwest because it’s cheaper. When she’s not writing, she’s devouring everything classic (books, films, art, music) and concocting yummy plant-based dishes.


Social Media Links

Facebook: https://www.facebook.com/tammayauthor/

Instragram: https://www.instagram.com/tammayauthor/

Pinterest: https://www.pinterest.com/tammayauthor/ 

Amazon Author Page: https://www.amazon.com/Tam-May/e/B01N7BQZ9Y/ 

BookBub Author Page: https://www.bookbub.com/authors/tam-may

Goodreads Author Page: https://www.goodreads.com/author/show/16111197.Tam_May

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A Survey of Women’s Issues: Revisited

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Women’s Equality Day is this month (on August 26). Women’s equality is central to so many of my books, including the Waxwood Series and the Adele Gossling Mysteries. A friend of mine recently posted a quote on her Facebook page from a well-known author who claimed that every book is a political act. I don’t necessarily agree with this, but for myself, while I don’t see each book of mine as a political act, I do incorporate in my books the things I’m most passionate about. And if you’ve been reading my blog for a while, subscribe to my newsletter, and/or read my books, you know I am passionate about women’s equality and women’s rights. 

Why? There are several reasons. I was born in 1970 just as the second-wave feminist movement was beginning to pick up steam. I came of age in the 1980s when third-wave feminism was picking up. 

But even more so, I sadly did not grow up in a household that valued women’s equality. My parents were born in the mid-20th century and my mom grew up with June Cleaver values (though she was not raised in America). Our house was very patriarchal. My father went to work and earned and took care of the money. My mom, though she had several careers in her lifetime, took care of my dad, my siblings, and me above all else, sometimes to the detriment of her own identity. Even the careers she had were of a more “traditional” vein (nurse, electrologist). I don’t begrudge this, though, as it was what led me to want more as a woman and to discover feminism in college.

In light of my recent blog post about disassociative feminism, there is perhaps no better time to ask the question: Do we still need feminism?

It seems some of the younger generation would answer a firm “no” to this question. A while back, photos began appearing in my Facebook feed of young women holding up signs reading “I don’t need feminism.” These young women claimed admitting we still need feminism creates a victim mentality and demonizes all men, encouraging man-hating among women. As someone from an older generation who writes about women’s oppression, this was deeply disturbing, to say the least!

Women have had a lot to fight for: in the 19th century and 20th and (dare I say it?) even the 21st. It’s not the fight that has changed but the nature of the issues.

In the 19th century, organized suffragism was born of a group of brave women whose names are branded in history like Susan B. Anthony, Lucretia Mott, and Elizabeth Cady Stanton. During this time, suffragists focused first on getting society to recognize women were equals to men (with limitations dictated by the separate spheres, of course — no use rocking the boat too much). But later, their focus shifted to one solitary goal: to win women the right to vote. Why was this so important? Suffragists were smart enough to realize that without the right to vote, they would never be able to implement changes into public policy that would carry through to future generations. 

When progressive movements took center stage at the turn of the 20th century, suffragism continued with women such as Jane Addams, Alice Paul, and Ida B. Wells. Women achieved success when the 19th Amendment was ratified in the United States in 1920. The Progressive Era made many women more aware that equality wasn’t just about the right to vote. It was also about psychological freedom and throwing off the shackles of 19th-century femininity that limited what women could and could not do and be. In that light, the New Woman was born: active, athletic, and freer in body and spirit than her mother and grandmother.

After the fight for suffragism and breaking the stereotype of the Victorian “angel in the house”, the post-World War” II generation brought back a more modern version of the angel. Betty Friedan labeled her “the feminine mystique”. Magazines, advertisements, and doctors advocated for a woman’s place in the home, and her identity became tied to her relationships with others rather than her identity in and of itself. Friedan found these women in American suburbs living a life that fulfilled this destiny, but they were not happy because they suffered from The Problem That Has No Name. These women felt discontented and frustrated, as if something was missing from their lives but they couldn’t define what it was.

Friedan’s book inspired others to speak out about their frustration and disillusionment, eventually leading to second-wave feminism in the late 1960s and 1970s with activists such as Friedan, Gloria Steinem, and Bell Hooks, among others. These women, whose slogan was “the personal is political” went further into the political sphere than their 19th and early 20th-century sisters. They zoomed in on social and personal oppressions, including issues such as domestic violence, rape, and reproductive rights. 

This meme is from a Tumblr site called “Confused Cats Against Feminism” and is meant as a tongue-in-cheek attack against the anti-feminist movement of the 21st century. You can read more about it here

Photo Credit: Meme from the Confused Cats Against Feminism, taken 27 July 2014 by Jym Dyer: Jym Dyer/Flickr/CC BY NC 2.0

But the question still remains: Do we need feminism in the 21st century? My answer would be as firm as the “I don’t need feminism” movement: YES!

Why? Because we’re still fighting many of the issues 20th-century feminists were fighting. To give one example, 20th-century women fought for women’s reproductive rights, including a woman’s right to choose whether to have children or not. In 2022, the supreme court overturned the law (Roe vs. Wade) that legalized abortion. Whether you’re on the side for or against it, there is a deeper issue here of taking away women’s right to choose what they do with their bodies. That freedom is one women have been fighting for for years and will continue to fight as a basic human right.

If you want to read about women fighting for equality, go to my Adele Gossling Mysteries! Book 1, The Carnation Murder, is free on all bookstore sites. And Book 6 is coming out soon, so pick up a copy at a special preorder price here

If you love fun, engaging mysteries set in the past, you’ll enjoy my novella The Missing Ruby Necklace! It’s available exclusively to my newsletter subscribers and you can get it here. By signing up, you’ll also get news about upcoming releases, fun facts about women’s history, classic true-crime tidbits, and more!

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The Dispensable Working Girl: Murder at Moose Lake

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Working girls didn’t have it easy in the early 20th century. Employers exploited them shamelessly because they were cheaper labor than men, and they could get them to do the dirtiest work for less money (see my blog post here about the wage gap). They worked long hours in very dangerous conditions for employers who skirted safety laws to save money and had no regard for their workers’ safety. They were, in a sense, dispensable labor, more so even than men.

This was never more obvious than in the rise of crimes against working girls in the early 20th century. There were several cases of working girls who came to a bad end. I was browsing YouTube last year and came upon a miniseries made in 1988 about the murder of Mary Phagan in 1915. In my newsletter last year, I talked about a case in 1908 of a schoolteacher in Upstate New York who was murdered by her former student. There is also the Triangle Shirtwaist Factory tragedy which I wrote about here

Photo Credit: Photo of Grace Brown, date unknown, author unknown: King Rk/Wikimedia Commons/PD US expired

But perhaps the most famous Progressive Era murder of a working girl was the tragedy of Grace Brown. This case became famous for two reasons. First, author Theodore Dreiser was so deeply touched by it that he wrote a fictional account in 1925 under the title An American Tragedy. Second, this story was turned into a film in 1951 that marked the first of three collaborations between lifelong pals Montgomery Clift and Elizabeth Taylor.

The story begins in 1905. Chester Gillette, a young man born to ultra-religious and poor people, took a job at his wealthy uncle’s skirt factory in New York. There he met an attractive girl named Grace Brown. Despite the strict factory rules that working men were not to socialize with their female coworkers, Gillette and Brown had a relationship that ended up with Brown becoming pregnant in 1906. This was still a time when the separate spheres were honored which meant a woman who had a child out of wedlock was shunned and disgraced. To avoid this, Brown wrote letters pleading with Gillette to marry her so she wouldn’t be a social outcast. He avoided responding to her for as long as he could.

Gilette finally agreed to take a trip to Moose Lake in the Adirondacks where Brown thought they would get married or at least engaged. But instead, he took her out on the lake and, knowing she couldn’t swim, made sure she drowned. The case became a sensation as Gillette was caught, tried, and convicted in 1908 and died by the electric chair.

The sixth book of my Adele Gossling Mysteries, The Case of the Dead Domestic, is also based on a case of a disposable working girl in the early 20th century. Rather than factory work, Hazel Drew was a domestic servant, and her death, unlike Mary Phagan’s and Grace Brown’s, remains unsolved. If you want to find out all about this unsolved classic true crime (and how it inspired one of the 1990s hit TV series), consider signing up for my newsletter here, as I’ll be doing a series of emails all about this case before the book comes out in August. Plus, you’ll get a free book as a gift just for signing up!

And you can preorder The Case of the Dead Domestic at a special price here

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The Vague Origins of Father’s Day

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Today is Father’s Day in the United States. If Father’s Day sometimes seems like an afterthought, it sort of was, though not because fathers aren’t worthy of honor. I trace this back to the residue of the 19th century separate spheres where home and family brought up images of mothers more than fathers. So we can understand in this light why Mother’s Day gets a lot of attention.

Unlike Mother’s Day, which has definite origins, the history of Father’s Day is a little uncertain. There were, in fact, two local celebrations going on during the Progressive Era that is thought to be the official kick-off of Father’s Day, both celebrated for personal reasons. In 1910, Sonora Smart Dodd campaigned in her home state of Washington for an official Father’s Day celebration in June, mainly wanting to commemorate her own father. Dodd’s father had been a Civil War veteran and raised her and her five brothers and sisters alone on a farm when his wife died in childbirth. She succeeded, as Washington began celebrating a state-wide Father’s Day that year. The other celebration happened two years earlier, in West Virginia when a local Methodist church in Fairmont celebrated the day in honor of 361 fathers who had been killed in a local mining explosion.

But official lobbying and support were slow in coming. National political figures such as William Jennings Bryan and Calvin Coolidge supported a national Father’s Day, but it didn’t get much traction. Lobbying for a Father’s Day continued, and in 1972, Richard Nixon declared Father’s Day a national holiday on the third Sunday of June in the United States.

Why was Father’s Day almost an afterthought? As they say, follow the money. Mother’s Day was a commercially viable holiday from very early on. It was, in fact, its commercial appeal that helped get Woodrow Wilson to sign a proclamation declaring it a national holiday in the United States in 1914. But many felt fathers just didn’t have the same monetary appeal. As I discuss here, the role of the father in the 19th and early 20th centuries was more of a disciplinarian. The sentimentality given to mothers seemed to undermine the idea of the “manly man”, emphasizing the masculinity crisis of the Gilded Age. 

Talk about famous fathers! This photo is of none other than Sir Arthur Conan Doyle, the creator of Sherlock Holmes, and his three kids. He doesn’t look much like a disciplinarian dad here, does he?

Photo Credit: Sir Arthur Conan Doyle and his three children, 1900, Bain News Service, publisher, Library of Congress: Picryl/No known restrictions

Fathers are just as complex as mothers (something I discuss in my blog post about Mother’s Day) and Adele’s father is no exception. Although deceased when the series opens, Otis Gossling still profoundly influences his daughter and his son, Adele’s brother, Jackson, but in very different ways. As a highly-revered San Francisco criminal lawyer, it was his position that gave them their well-to-do standing. But Adele sees him very differently than her brother Jackson. Who is right and who is wrong? You’ll have to read the Adele Gosslng Mysteries to find out! 

And you can start right here with Book 1, The Carnation Murder, which is free on all bookstore platforms. Book 6 is coming out later this summer, so check that out here

If you love fun, engaging mysteries set in the past, you’ll enjoy my novella The Missing Ruby Necklace! It’s available exclusively to my newsletter subscribers and you can get it here. By signing up, you’ll also get news about upcoming releases, fun facts about women’s history, classic true-crime tidbits, and more!

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Release Day Blitz for Murder Under a Twilight Roof

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Title: Murder Under a Twilight Roof

Series: Adele Gossling Mysteries: Book 5

Author: Tam May

Genres: Historical Cozy Mystery

Release Date: April 29, 2023

In 1905, the Barry Circus makes its way to Arrojo, an event filled with chills, thrills, and enchantment. The whole town is buzzing with excitement to see Julius Rowe, the “daring young man on the flying trapeze”. To the crowds, he’s the handsome and dashing star of the show. To his fellow performers, he’s arrogant, demanding, and a little too ruthless. But who cares, as long as the crowds can’t get enough of him?

Then on opening night, the unthinkable happens — Julius misses that third somersault and falls into the net, instantly killed.

The police are baffled. Was it an accident? Was it murder? And if it was murder, who did it? 

Was it the husband of Julius’ latest conquest or the lady herself, proving that a woman scorned can be a dangerous thing? Or was it one of the other performers for reasons of his or her own? It’s up to Adele Gossling and her friend Nin Branch to help when the circus closes ranks against the police.

What reviewers are saying about this book:

“Well written, as always with an intriguing mystery to solve.”

“I enjoyed [the story] immensely!”

You can get your copy of the book at a special promotional price at the following online retailers.


Excerpt

Jackson looked annoyed, tapping his pipe on the arm of his chair. “I told Hatfield we should have run him out of town.”

“I’m glad you didn’t,” she said. “He has some very illuminating insights into his co-performers.”

“He’s no performer,” Jackson grunted. “He’s a charlatan.”

“But a very useful and observant one,” she said.

He eyed her. “I’m assuming you got information out of him that might help our investigation.”

“Mr. Sipes had some interesting observations about opening night.”

“Oh?”

“Julius visited Calvin’s wagon,” Adele said. 

Jackson filled his pipe with tobacco. “I’m certain many performers visit the man on opening night. He does take care of their salary, after all.”

“I highly doubt Julius would slip into Calvin’s wagon for an hour just to get his pay,” Adele said dryly.

Jackson heaved a sigh and put his paper down. “All right. And why, according to the amenable Mr. Sipes, did he spend an hour in Calvin’s wagon?”

“He couldn’t tell me that.” Adele jumped as she pricked herself with the lacing needle, “But he did say the man emerged with a big grin on his face.”

“Perhaps they were talking about salary after all,” Jackson said. “If Calvin agreed to a substantial raise, that would cause Julius to come out grinning.”

“Julius just renewed his contract a few weeks before,” Adele pointed out. “One would think they would have discussed salary then.”

“All right, Del, what are you really getting at?” Jackson chewed on the edge of his pipe.

“‘A smile well above him,’ according to Mr. Sipes,” Adele added.

Jackson’s eyes narrowed. “It would seem Mr. Sipes is well versed on the idea of thinking well above oneself.”

“Calvin has been hiding something,” Adele insisted, “something he knew about Julius that night.” She rose, going over to the desk in the corner. “I found these behind the curtain.” She handed him the two halves of the broken pencil.

“You think they belong to Calvin?”

“I know they do,” she insisted. “It’s his brand. And Cora told us he broke a pencil that night, remember?”

“What would this smug smile on Julius’ face have to do with a broken pencil? It makes no sense, Del.”

“I think you ought to talk to Calvin again,” Adele said. “You remember his words when he saw the body, Jack? ‘That wasn’t supposed to happen.’ Find out from him what was.”


About the Author

Tam May writes stories about powerful women set in the past. Her fiction gives readers a sense of justice for women, both the living and the dead. Tam’s stories are set mostly around the Bay Area because she adores sourdough bread, Ghirardelli chocolate, and San Francisco history. Tam is the author of the Adele Gossling Mysteries which take place in the early 20th century and feature sassy suffragist and epistolary expert Adele Gossling. Tam has also written historical fiction about women breaking loose from the confinements of their era. Although Tam left her heart in San Francisco, she lives in the Midwest because it’s cheaper. When she’s not writing, she’s devouring everything classic (books, films, art, music) and concocting yummy vegan dishes.


Social Media Links

Facebook: https://www.facebook.com/tammayauthor/

Instragram: https://www.instagram.com/tammayauthor/

Pinterest: https://www.pinterest.com/tammayauthor/ 

Amazon Author Page: https://www.amazon.com/Tam-May/e/B01N7BQZ9Y/ 

BookBub Author Page: https://www.bookbub.com/authors/tam-may

Goodreads Author Page: https://www.goodreads.com/author/show/16111197.Tam_May

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