A Prequel Short Story: The Rose Debutante

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Photo Credit: Painting of a pink rose with purple background, uploaded 8 August 2017: G4889166/Pixabay/Pixabay license

A few months ago, I announced to my readers group and author page that I would be updating the free gift I was offering for my newsletter subscribers (present and future). I would be giving a short story related to my Waxwood Series. The story gives some insights into the Alderdice family and, in particular, the character of Vivian Alderdice, the unofficial protagonist of the series.

I call the story a prequel, which it is on one level. Dictionary.com defines the word prequel as “a literary, dramatic, or filmic work that prefigures a later work, as by portraying the same characters at a younger age” (“Prequel”, 2010). I’m not entirely satisfied with this definition, as it leaves out what I think is one of the most important elements of prequels — story (or series) importance. Authors and filmmakers create prequels for a reason. A prequel usually contains some keys to a richer understanding of the story or the characters, a sort of “this is how they got here” element in a separate work. This, then, gives readers a reason to read the story outside of the fact that they (hopefully) loved the characters enough to want to know about their lives before the story/series began.

This is why I wrote the short story “The Rose Debutante”. As I was writing The Specter, Book 1 of my Waxwood Series, I realized one of the keys to understanding both Vivian and her grandmother Penelope Alderdice (whose role in the story and series I wrote about here) was to understand their position as 19th century debutantes. I could have chosen to discuss the debutante in a factual blog post (and probably will do so sometime in the future), but I started getting more intrigued by the psychological aspects of this role thrust upon Vivian a little before the start of Book 1. I wanted specifically to explore what that role meant for her in light of Gilded Age thinking about women, money, and marriage.

In Book 1, there is reference to one of the most salient events in a 19th century wealthy young woman’s life — her debutante “coming out” ball. Researching this, I was fascinated by the undercurrents of this seemingly gay event, when a girl stopped being a girl in the eyes of society and became a woman. I wanted to explore the question, “What did that really mean for  her, beyond the obvious (putting a young woman into the marriage market?)” I wanted to examine Vivian’s psychological reality as it related to this one very important event in her life that becomes the pinnacle of her thoughts and actions in the evolution of the Waxwood Series.

So it was natural for me to write a story about Vivian’s coming out ball. The story isn’t only a glimpse inside the excitement and lavishness of this event in wealthy Gilded Age society, but it’s also about the apprehensions, the expectations, and the fears encountered by a young woman who, with her hair up and in her first pair of high heels, is no longer seen as a girl but as a young woman with a role to play in her very structured and class-conscious society. For Vivian, perhaps, more than for many young women who took their coming out ball as a matter of course, the event brings the epiphany that her days of psychological liberty are over and now begins the straight and narrow path of womanhood as experienced by so many 19th century women of all classes. The story also gives readers a foundation on which Vivian’s later epiphanies, explorations of the past, and discoveries of the future are based in the series.

This is the first time I’ve written any kind of prequel to any of my stories, and I discovered in the process not only a way to let readers know about Vivian with more psychological depth but the beauty of making connections. In this story there appears several characters who later make a more standing appearance in Book 2 of my series, Tales of Actaeon.

To receive a copy of the short story The Rose Debutante, you must either already be signed up for my newsletter or you can sign up for it here.

To find out more about The Specter, the first book in the series, and get your copy, check out the links on this page.

And you can find out more about the Waxwood Series here.  

Works Cited

Prequel, 2010. Retrieved from https://www.dictionary.com/

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The Specter (Waxwood Series: Book 1): Release Day Blitz

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The Specter Front Cover Photo Credit: Portrait of Sonya Knips, Gustav Klimt, 1898, oil on canvas, Österreichische Galerie Belvedere, Vienna, Austria: Aavindraa/Wikimedia Commons/PD Old 100

Title: The Specter

Series: Waxwood Series, Book 1

Author: Tam May

Genre: Historical Fiction/Women’s Fiction

Release Date: June 28, 2019

To what lengths will one go to exorcise a specter?

One rainy morning in 1892, people gather to mourn the death of San Francisco socialite Penelope Alderdice. Among them is a strange little woman named Bertha Ross, who claims to have known “Grace” in the 1850’s in the small town of Waxwood. But Penelope’s granddaughter, Vivian, has never heard of Grace or Waxwood.

Bertha reveals surprising details about Grace’s life in Waxwood, including a love affair with Evan, an artist and member of Brandywine, Waxwood’s art colony.Vivian’s mother, Larissa, insists Bertha is an imposter who has come not to mourn a woman she knew in her youth but to stir up trouble. 

Vivian, however, suspects the key to her grandmother’s life and her own lies in Waxwood. She journeys to Brandywine where she meets Verina Jones, Evan’s niece, and discovers a packet of letters her grandmother wrote forty years ago about her time in Waxwood.

As Vivian confronts the specter that holds the truth to secrets buried in the family consciousness, she examines her grandmother’s life as a mid-19th century debutante and her own as a Gilded Age belle. Will she find her way out into the world as an autonomous being, or will she be haunted by the specter of her grandmother’s unhappiness all her life?

You can pick up your copy of the book at a special promotional price at the following online retailers:

Amazon US

Amazon UK

B&N

Apple iBooks (iTunes)

Kobo

Excerpt

Larissa patted her head. “You’ve done all I asked of you thus far, Vivian. But lately, you’ve forgotten your position.”

“My position?”

“You’re the granddaughter of Malcolm Alderdice,” her mother said in a firm voice. “That means something in San Francisco.”

“I was the granddaughter of Penelope Alderdice too,” Vivian said. “Doesn’t that mean something?”

“In so far as she was Mrs. Malcolm Alderdice, dear.” Her mother sighed.

“A door has opened,” Vivian said. “Mrs. Ross opened it, whether we wanted her to or not.”

Her mother gave her a rueful look. “One need not walk through every open door, especially if a madwoman holds the key.”

“Mrs. Ross wasn’t mad,” Jake murmured. “Confused, but not mad.”

His mother gave him a look. Then, in a more congenial voice, she said to her daughter, “Not every door is the door to heaven, dear.”

“Let it be the door to hell, then,” Vivian declared.

Advanced praise for The Specter

“An absolutely fascinating story” — Jackie, Goodreads reviewer

“Could not put this down, read from cover to cover in one sitting.” — Melanie, Goodreads Reviewer

“May’s historical fiction picks apart the delicate façade of American gentility in upper class, well-heeled families on the wild West Coast at the end of the nineteenth century.” — Lisa Lickel, author and blogger, Living Our Faith Out Loud blog.

About the Author

Tam May grew up in the United States and earned her B.A. and M.A in English. She worked as an English college instructor and EFL (English as a Foreign Language) teacher before she became a full-time writer. She started writing when she was 14 and writing became her voice. She writes fiction about characters who must find their future by exploring their personal past and the collective past (the time in which they live).

Her first book, a collection of contemporary short stories titled Gnarled Bones And Other Stories, was nominated for a 2017 Summer Indie Book Award. She is currently working on a Gilded Age family saga, of which the first book, The Specter, is now available. She is also working on a historical mystery featuring a turn-of-the-century New Woman female sleuth. Both series take place in Northern California.

She lives in Texas but calls San Francisco and the Bay Area home. When she’s not writing, she’s reading classic literature and watching classic films.

Tam May grew up in the United States and earned her B.A. and M.A in English. She worked as an English college instructor and EFL (English as a Foreign Language) teacher before she became a full-time writer. She started writing when she was 14 and writing became her voice. She writes historical and contemporary fiction about characters who must examine their past and the time in which they live to move on to the future.

Her first book, a collection of contemporary short stories titled Gnarled Bones And Other Stories, was nominated for a 2017 Summer Indie Book Award. She is currently working on a Gilded Age family saga, of which the first book, The Specter, is now available for preorder. She is also working on a historical mystery featuring a turn-of-the-century New Woman female sleuth. Both series take place in Northern California.

She lives in Texas but calls San Francisco and the Bay Area home. When she’s not writing, she’s reading classic literature and watching classic films.

Social Media Links

Website

Blog

Facebook

Facebook Readers Group

Twitter

Pinterest

Goodreads Author Page

Amazon Author Page 

BookBub Author Page

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COVER REVEAL!!! The Specter (Waxwood Series: Book 1)

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Photo Credit: Portrait of Sonya Knips, Gustav Klimt, 1898, oil on canvas, Österreichische Galerie Belvedere, Vienna, Austria: Aavindraa/Wikimedia Commons/PD Old 100  

The cover for my upcoming book The Specter is here!

For most authors, every cover has a story behind it. For me, my fiction is all about the characters and my covers are all about people. My fiction is also all about people in the context of their time grappling with their own past. I wanted a cover that would reflect this. 

When I started coming up with ideas on how I could convey this about The Specter, the idea of featuring a woman in a pink dress came to mind immediately. The pink dress and the woman with red hair relate to a character in the book and the painting I used reflects a portrait of that character mention in the book and its effect on Vivian Alderdice, the main character of the series. I can’t give away more than that just yet – you’ll have to read the book to make the connection.

I’ve always adored old paintings and old images and this one by Austrian painter Gustav Klimt caught my eye right away. On the one hand, the woman (identified in the title as Sonya Knips) is the picture of late 19th century womanhood in her pretty in pink dress, her right hand clasping a pink handkerchief demurely at her knee, the picture of innocence. On the other, there is a defiance in the way her eyes stare directly at you, the way she is leaning forward a little with her left hand grasping the arm of the chair in which she sits. Some of this isn’t visible in my cover but you can see the full painting and learn more about its background here.

Ironically, Klimt was known more for his later work as a symbolist painter which is vastly different from this painting. Symbolism was a movement that led into surrealism and the idea of making the real unreal relates to my newsletter this month, which will be sent out at the end of this week.

The buy links will be up on my website very soon. For now, you can read more about the book if here and more about the series here. You can also read an excerpt from the book here

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