COVER REVEAL for False Fathers (Waxwood Series: Book 2)

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Photo Credit: Portrait of a Young Man, Ferdinand von Wright, 1860s, portrait, oil on canvas, Finnish National Gallery: BotMultichill/Wikimedia Commons/PD old 100 expired

Yes, it’s cover reveal time! And here’s a little bit of background on the cover for Book 2 of the Waxwood Series, False Fathers.

I talked a little bit about the evolution of the title of the novel here. When I was searching for a way to approach the cover for this book, the first thing that came to my mind was to feature a father and son. Since I love using old paintings and images, I tried looking for something that would fit the time frame of the book (late 19th century), and would feature a paternal figure guiding a younger man. I couldn’t find anything that really suited my taste.

So instead, I went with the idea of being consistent with the cover for The Specter, Book 1 of the series. If you recall, that cover featured a woman in a pink dress holding a pink handkerchief with lovely auburn hair and pale features. As I mention in this blog post, the intent was to provide an inspirational portrait for Vivian Alderdice, the protagonist of that novel, and also allude to the other main character in that book, her grandmother Penelope Alderdice. So I went with the same concept here.

Portraits of a young man in the 19th century weren’t hard to find, since, at that time, photography was a rare and complicated thing, especially in the early part of the century. So having a painter do a portrait was quite common. It was a matter of finding the right young man who would inspire the character of Jake Alderdice. He had to fit not only Jake’s age (since Jake’s coming-of-age is paramount to the story), but also his personality and social status.

After quite a lot of searching, I came upon the image that you see above. I liked the clean-cut countenance on the young man with his smooth blond hair and the clean-shaven face that makes him look almost boyish. I also liked his aristocratic manner and the dark suit that accentuates his poise. But what struck me most were the eyes. It’s not only that they are blue, which fits the eye color of the Alderdice family, but they are also intensely gazing right at the onlooker. The mouth, also, is very serious and contemplating. This fits Jake’s personality perfectly.

The book will be out on December 28, 2019. If you want to know more about it, you can go here. You can also find out more about the first book in the series here and the series itself here. And if  you’d like to read an excerpt from False Fathers, you can do so if you join my readers group.    

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COVER REVEAL!!! The Specter (Waxwood Series: Book 1)

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Photo Credit: Portrait of Sonya Knips, Gustav Klimt, 1898, oil on canvas, Österreichische Galerie Belvedere, Vienna, Austria: Aavindraa/Wikimedia Commons/PD Old 100  

The cover for my upcoming book The Specter is here!

For most authors, every cover has a story behind it. For me, my fiction is all about the characters and my covers are all about people. My fiction is also all about people in the context of their time grappling with their own past. I wanted a cover that would reflect this. 

When I started coming up with ideas on how I could convey this about The Specter, the idea of featuring a woman in a pink dress came to mind immediately. The pink dress and the woman with red hair relate to a character in the book and the painting I used reflects a portrait of that character mention in the book and its effect on Vivian Alderdice, the main character of the series. I can’t give away more than that just yet – you’ll have to read the book to make the connection.

I’ve always adored old paintings and old images and this one by Austrian painter Gustav Klimt caught my eye right away. On the one hand, the woman (identified in the title as Sonya Knips) is the picture of late 19th century womanhood in her pretty in pink dress, her right hand clasping a pink handkerchief demurely at her knee, the picture of innocence. On the other, there is a defiance in the way her eyes stare directly at you, the way she is leaning forward a little with her left hand grasping the arm of the chair in which she sits. Some of this isn’t visible in my cover but you can see the full painting and learn more about its background here.

Ironically, Klimt was known more for his later work as a symbolist painter which is vastly different from this painting. Symbolism was a movement that led into surrealism and the idea of making the real unreal relates to my newsletter this month, which will be sent out at the end of this week.

The buy links will be up on my website very soon. For now, you can read more about the book if here and more about the series here. You can also read an excerpt from the book here

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