Cover Reveal/Release Day Announcement: The Carnation Murder

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Every year, I choose a word and/or phrase to define how I want to improve myself. This year, my phrase is “let it go”. I even have a card stuck on my bulletin board to remind me to let things go.

After five years of writing historical women’s fiction, I’m letting it go and turning to something new: historical cozy mysteries. Why? Because I realized who I am now is not who I was five years ago. Historical women’s fiction served me well at that time, and I loved writing the Waxwood Series. But now all I want to give readers is a sense of comfort and a little bit of fun. Nothing spells comfort and fun more than cozy mysteries. 

This is why I’m thrilled to present the cover for The Carnation Murder, the first book of my Adele Gossling Mysteries, and tell you when the book is coming out.

So, without further ado…

historical mystery, cozy mystery, women sleuth, new release, ebook, murder mystery, small town mystery

So, y’all probably notice there’s a lot of purple in there, right? There’s a reason for that. The color purple plays a role in helping Adele Gossling solve the mystery of the dead debutante in her gazebo. On a carnation, purple is about whimsy and freedom. How do these qualities appear in the book? You’ll have to read it to find out!

You’ll also notice the gold frame on the book. Originally, the fabulous designer who made the cover went for more of an Art Deco look, using geometric shapes and clean lines and spheres. A great example of Art Deco is these stills from the 1927 silent masterpiece Metropolis

As much as I love Art Deco, we associate it more with the 1920s and 1930s. The Adele Gossling Mysteries takes place at the turn of the 20th century, some twenty years earlier. So the designer and I went back and forth, and we finally decided on a more Art Nouveau style for the frame. Art Nouveau was sort of the precursor to the Art Deco movement, combining the favored lines and spheres with a more decorative and florid style. One of the defining artists of this period was Alphonse Mucha, whose work you can see here

Here’s more about The Carnation Murder:

Smart inquisitive, and a firm believer in the new progressive reforms, Adele Gossling seeks a new life after the devastating death of her father. So she flees the big city of San Francisco for the small town of Arrojo. She plans a life of peace and small pleasures running her own stationery shop and living in her own house. But peace is exactly what she doesn’t get when she discovers her neighbor dead in her gazebo. The police think they have a firm suspect: the young man who was secretly engaged to the victim. But Adele and her clairvoyant new friend Nin Branch suspect the young man is innocent. In spite of the raised eyebrows from Arrojo’s Victorian-minded citizens, she and Nin set out to prove Richard Tanning didn’t do it. But if he didn’t, who did?

What early reviewers are saying:

“Really well paced and researched appropriately for the era.”

“The story comes alive.”

Release Date: April 30, 2022

I’m equally excited to let you know the book is now on preorder at a very special price. So come check it out and get your copy at your favorite online bookstore here

Happy reading!

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COVER REVEAL!!! The Specter (Waxwood Series: Book 1)

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Photo Credit: Portrait of Sonya Knips, Gustav Klimt, 1898, oil on canvas, Österreichische Galerie Belvedere, Vienna, Austria: Aavindraa/Wikimedia Commons/PD Old 100  

The cover for my upcoming book The Specter is here!

For most authors, every cover has a story behind it. For me, my fiction is all about the characters and my covers are all about people. My fiction is also all about people in the context of their time grappling with their own past. I wanted a cover that would reflect this. 

When I started coming up with ideas on how I could convey this about The Specter, the idea of featuring a woman in a pink dress came to mind immediately. The pink dress and the woman with red hair relate to a character in the book and the painting I used reflects a portrait of that character mention in the book and its effect on Vivian Alderdice, the main character of the series. I can’t give away more than that just yet – you’ll have to read the book to make the connection.

I’ve always adored old paintings and old images and this one by Austrian painter Gustav Klimt caught my eye right away. On the one hand, the woman (identified in the title as Sonya Knips) is the picture of late 19th century womanhood in her pretty in pink dress, her right hand clasping a pink handkerchief demurely at her knee, the picture of innocence. On the other, there is a defiance in the way her eyes stare directly at you, the way she is leaning forward a little with her left hand grasping the arm of the chair in which she sits. Some of this isn’t visible in my cover but you can see the full painting and learn more about its background here.

Ironically, Klimt was known more for his later work as a symbolist painter which is vastly different from this painting. Symbolism was a movement that led into surrealism and the idea of making the real unreal relates to my newsletter this month, which will be sent out at the end of this week.

The buy links will be up on my website very soon. For now, you can read more about the book if here and more about the series here. You can also read an excerpt from the book here

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