The Great Rebellion: The Seneca Falls Convention of 1848

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Although this photo is from a later period in history, it nonetheless depicts one of the objections to women’s rights — that the “natural order of things” in terms of gender roles would be reversed and men would have to do the housework while women went out into the political arena.

Photo Credit: A woman wearing knickers (“pants”) and smoking a cigarette while her husband does the washing, 1901, Underwood & Underwood: P. S. Burton/Wikimedia Commons/PD Underwood

Today marks the anniversary of the start of what Elizabeth Cady Stanton called the greatest rebellion of the 19th century: The Seneca Falls Convention. 

The convention grew out of a moment of oppression. The World Anti-Slavery Convention took place in London in 1840, and Elizabeth Cady Stanton and Lucretia Mott, met there for the first time. Both were denied entry into the convention because organizers decided to bar all women from attending. From this was born the idea in Cady Stanton and Mott’s minds to organize a convention closer to home to discuss women’s rights.

This event took place in Seneca Falls, New York on the weekend of July 19th and 20th in 1848 and became the first organized political gathering for women. You may recall I wrote here about the idea of suffragism (the right to vote). But was the convention really focused on women’s suffragism? Yes and no. Certainly, the right to vote was on the agenda, but as I mentioned in my blog post above, it wasn’t considered of the utmost importance, though it would be later on in the movement. What was high on the agenda was the idea that women were equal to men. You might recall from my discussion of the separate spheres that it was generally thought women were weaker than men emotionally and mentally, and therefore, their confinement to the private sphere was justified. So the idea that women were equal in every way was, as Cady Stanton declared, revolutionary indeed. 

To this end, the attendees of the convention (there were 300 of them) came up with a Declaration of Sentiments. The name, of course, suggests the Declaration of Independence, and this is no surprise, as the wording stems directly from that document. You can read the entire Declaration of Sentiments and see the names of some of the movers and shakers of the suffragist and abolitionist movements (including Frederick Douglass) who signed the declaration here.

Reactions to the convention were mixed. Some reporters and editors considered the idea of women meeting to talk about their rights as nothing short of lunacy. Others were afraid it would lead to a gender role reversal (as the cartoon above shows). Still others, like the famous Horace Greenly of the New York Tribune, begrudgingly admitted suffragists might be on to something when they insist women were created equal to men in the eyes of God and humanity.

Although the convention wasn’t perfect (it was haphazardly organized and attended mainly by locals,) it gave rise to the idea that women’s rights were worth putting on the political agenda of the 19th century. Also, like the publication of Betty Friedan’s The Feminine Mystique nearly 120 years later (which I talk about here,) the convention triggered a movement that followed into the 20th century, creating not just one but several waves and generations of fighters for women’s rights. 

I talk about women’s rights in the late 19th century a lot in my Waxwood Series, and it also will come up in my upcoming historical cozy mystery series, The Paper Chase Mysteries. Book 3 of the Waxwood Series, Pathfinding Women is especially focused on the suffragist movement and some of the conflicts within that movement (though more in a personal than political sense).        

Want to explore the nooks and crannies of history that aren’t in the history books? Like social and psychological history and not just historical events? Want in on exclusive sneak peeks, giveaways, and surveys? Then sign up for my newsletter! You’ll get a free short story when you do.

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Why I Love (And Write) Women’s Fiction

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***This blog post was written in honor of Women’s Fiction Day, designated as June 8 by the Women’s Fiction Writers Association.***

If you would ask me what is the genre of the Waxwood Series, I would unhesitatingly say “women’s fiction”. This is in spite of the fact that False Fathers, Book 2 of the series, is actually about a young man’s coming-of-age. The series itself focuses on the journey of one young woman to emotional and intellectual maturity in the last decade of the 19th century. Women’s fiction is always about journeys and all of my fiction, regardless of genre, even my upcoming historical cozy mystery series, the Paper Chase Mysteries, is about women’s journeys.

But is women’s fiction only about the gender of the author?

Different authors define women’s fiction (whether they write it or not) differently. My definition of women’s fiction is fiction where a woman goes through some kind of emotional and psychological journey and transformation, usually the main character or one of the main characters. That transformation doesn’t necessarily have to be a positive one, but one in which she learns something about herself and the world around her. And the book doesn’t have to be written by a woman either. I consider books like Leo Tolstoy’s Anna Karenina and Gustave Flaubert’s Madame Bovary women’s fiction, because the woman protagonist of each book goes through her own journey and transformation (however tragic), and we learn something about human nature and women’s lives in the nineteenth century. 

This last element is really why I love reading women’s fiction. The genre not just about women written for women and only relevant to women. It’s relevant to all our lives, male or female, or however you identify your gender. They also teach us about how women behave and are treated, and this reflects on the way human nature works in our patriarchal society, then and now. I make no secret of the fact that I don’t read many contemporary books but a few months ago, I picked up a book firmly placed in the contemporary women’s fiction category by K. L. Montgomery titled Fat Girl. Montgomery is a body-positive advocate and her protagonist is a plus-size woman whose trials and tribulations with romance, divorce, and raising a teenage boy speaks to our time with the struggles of single parents and body shaming in our weight-conscious society.

In the Waxwood Series, Vivian’s transformation continues throughout the Waxwood Series and will be completed in Book 4. Her revelations about family, women and social expectations will hopefully speak not only of the paradoxes of the Gilded Age but also our time.

In honor of Women’s Fiction Day, I’m giving away an ebook copy of The Specter! To enter the giveaway, please comment on this blog post and tell me why you love women’s fiction (historical or otherwise). The giveaway will end on Sunday, June 13.

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Release Day Blitz for Dandelions!

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release day, historical fiction, series, family saga, family drama, women's fiction, Gilded Age, 19th Century, women's history, resilient women, US history

Photo Credit: Couple painting, Dionisios Kalivokas, 1858, canvas and oil, Corfu National Gallery, Greece: File upload bot (Magnus Manske)/Wikimedia Commons/PD Art (PD old 70)

Title: Dandelions

Series: Waxwood Series, Book 4

Author: Tam May

Genres: Historical Women’s Fiction/Family Saga

Release Date: December 20, 2020

She had more in common with her nemesis than she wanted to believe…

For Vivian Alderdice, the 20th century begins with a new start. Now a working girl and progressive reformer like her friend, Nettie Grace, she has forsaken the Gilded Age opulence of Nob Hill for the humbler surroundings of Waxwood’s commercial district. Rather than whittle away her days with other wealthy young women in gossip, parties, and flirtations, she sells talcum powder and strawberry sodas to customers at Nettie’s Drugstore and helps the poor to read at the Waxwood Women’s Lending Library and Reading Room.

But sometimes the scars of the past leave bitterness behind …

Harland Stevens, the man who ruined her brother’s life two years before, appears like another specter in Vivian’s life and, in spite of herself, Vivian is compelled to help him escape from a hell of his own.

You can get your copy of the book at a special promotional price from your favorite online book retailer here.

release day, historical fiction, series, family saga, family drama, women's fiction, Gilded Age, 19th Century, women's history, resilient women, US history

Excerpt

As she watched him stroll down the boardwalk, his hands in his pockets, nodding at ladies as he passed but without the leering eye of his college boy days, she felt again the wave of uncertainty engulf her like the sea wind. She was alone now with this large, silent man.

“Since you prefer everyone call you Stevens,” she said, glancing at the redhead, “that’s what I’ll call you from now on.” 

Though the redhead did not speak, she saw his lips sway as if he were trying to answer her. She felt a surge of relief as she led him down the boardwalk. 

As with the hotels, the place was empty. As it was Saturday, men had come down from their city jobs to spend the weekend with their families. She suddenly feared she might encounter people she had known the previous summers in Waxwood and couldn’t help but wonder what they would think. Would they see her as a little plain in her shirtwaist and gray suit but nonetheless fashionable, and Stevens looking for all the world like the new century’s gentleman with his stiff collar and tie tucked inside his closed vest? Would they guess their eyes were feasting upon a Washington Street blue blood nearly fallen from grace and a once vibrant, commanding man, now a hollow shell of silence and perhaps madness?

About the Author

Tam May started writing when she was fourteen, and writing became her voice. She loves history and wants readers to love it too, so she writes historical fiction that lives and breathes a world of the past. She fell in love with San Francisco and its rich history when she learned about the city’s resilience and rebirth after the 1906 earthquake and fire during a walking tour. She grew up in the United States and earned a B.A. and M.A in English. She worked as an English college instructor (where she managed to interest a class of wary freshmen in Henry James’ fiction) and EFL teacher (where she used literature to teach business professionals English) before she became a full-time writer.  

Her book Lessons From My Mother’s Life debuted at #1 on Amazon in the Historical Fiction Short Stories category. She has also published a Gilded age family drama set in Northern California at the close of the 19th century which tells the story of the Alderdices, a family crumbling in the midst of revolutionary changes and shifting values in America’s Gilded Age. Her current project delves into the historical mystery fiction genre. The Paper Chase Mysteries is set in Northern California at the turn of the 20th century and features amateur sleuth and epistolary expert Adele Gossling, a young, progressive, and independent young woman whose talent for solving crimes comes into direct conflict with her new community, where people are apt to prefer the Victorian women of old over the New Woman of the new century. 

Tam lives in Texas but calls San Francisco and the Bay Area “home”. When she’s not writing, she’s reading classic literature, watching classic films, cross-stitching, or cooking yummy vegetarian dishes.

Social Media Links

Facebook: https://www.facebook.com/tammayauthor/

Facebook Readers Group: https://www.facebook.com/groups/tamsdreamersRG/ 

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Goodreads Author Page: https://www.goodreads.com/author/show/16111197.Tam_May

Amazon Author Page: https://www.amazon.com/Tam-May/e/B01N7BQZ9Y/ 

BookBub Author Page: https://www.bookbub.com/authors/tam-may

I’ve got a giveaway going on with 4 chances to win a prize! You can enter here.

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The 19th Century Bluestocking

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In this caricature, made at the end of the Blue Stocking Society heyday, the disbanding of the club can only be seen in terms of violence and hysteria because women who didn’t fit the mold of the “angel in the house” were seen in this way. So in the thinking of the male artist, even their intelligence and wit can’t save them from behaving like women!

Photo Credit: Breaking Up of the Blue Stocking Club, Thomas Rowlandson, 1815, hand-colored etching, Metropolitan Museum of Arts, Drawings and Prints: TemboUngwe/Wikimedia Commons/CC0

In Pathfinding Women, the third book of my Gilded Age family saga, the young women of her wealthy society accuse the protagonist Vivian Alderdice, of being a “bluestocking.” Like many terms referring exclusively to women, this one has positive origins but became negative with time.

The term referred to an actual 18th-century British club called the Blue Stockings Society and was created as a place where both women and men (though mostly women) could discuss literature and the arts. The name comes from a type of casual dress style (the worsted wool “blue” stocking) which was generally not considered proper dress for anyone but the peasants (ironic, considering the group was made up of well-to-do people, and its aim was to discuss formal topics…).

The society was led by author and social reformer Elizabeth Montagu. Montagu provided a place for intelligent and privileged women such as playwright Hannah More and author Frances Burney a safe place to bring forth their passion for the arts and gain support from fellow enthusiasts. The club was active and popular until the late 18th century, and, looking back at history, we might understand why. As I wrote here, the philosophy of the separate spheres began to take precedence in the thinking of intellectuals about the role of women and men in society around this time. Women, remember, were regulated mostly to the private sphere, destined to take care of their family and limit their public interest to church and charity. Thus, intellectual pursuits for women were discouraged, and any woman who didn’t fit the mold was looked upon in a negative light.

This is also why the term “bluestocking” began to take on unflattering connotations in the 19th century. These women were seen, by Victorian standards, as unmarriageable either because they were too unattractive, too old, too educated, or any combination of the three. They were a nuisance in society, trying to compete with intellectual men (and unable to, of course). Many caricatures went out during this time about the bluestocking (like the one by Rowlandson above).

So it’s no surprise when the wealthy young women of Nob Hill in my book get catty, the first thing they do is insinuate that Vivian, because she prefers books to flirtations, is a bluestocking. At one point in the novel, Vivian laments:

“Her daily walks made her less fragile than Amber and her friends and she had heard sniffing remarks on her “bluestocking” pursuits in pockets of parties and after-dinner conversations.”

Despite the fact that Vivian is a progressive young woman, she falls victim to the stigma attached in the Gilded Age to any “bookish” unmarried woman and asks her mother in a worried tone, “Do you think he [Monte Leblanc, the man she’s pursuing] has the notion from Fern that I’m a bluestocking?” Her mother reassures her Mr. Leblanc has no such idea.

If you’d like to take a look at Pathfinding Women, you can do so here. To find out more about the series, you can go here. You can also find information on Books 1 and 2 of the series here and here. Book 4 of the series, Dandelions, will be coming out in December 2020, so come check it out here

Want to explore the nooks & crannies of history, the stuff that isn’t in the history books?Like social and psychological history and not just historical events and dates? Want in on exclusive sneak peeks, giveaways, and polls? Then sign up for my newsletter! Plus, you’ll get a free short story when you do :-). Here’s the link!

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Release Day Blitz for Pathfinding Women!

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new release, historical fiction, women's fiction, family saga, family drama, Gilded Age, 19th century, US history, suffragism, series
new release, historical fiction, women's fiction, family saga, family drama, Gilded Age, 19th century, US history, suffragism, series

Front Cover Photo Credit: Woman standing in forest, artist signed Dobrowloski, 1910/1919, John High Collection, Czechoslovakia: Fae/Wikimedia Commons/PD Old 70 Expired

Title: Pathfinding Women

Series: Waxwood Series, Book 3

Author: Tam May

Genre: Historical Women’s Fiction/Family Saga

Release Date: September 13, 2020

There are paths in life we have no choice but to follow.

At the close of the nineteenth century, Vivian Alderdice is twenty-six, unmarried, and has no prospective suitors. Now the heiress of the Alderdice fortune, she has yet to fulfill her duty to her family and to society: to marry well and produce heirs.

Her brother’s tragic plight the year before left her and her mother on shaky ground with the San Francisco blue bloods of Nob Hill, and the only way they can re-establish their social position is to win the heart of Monte Leblanc, a wealthy Canadian in search of a wife and looking to become a member of the exclusive Washington Street society.

But a young man on the train tells Vivian things about her grandmother that shake her to the core. Even as she is pursued by the debonair Monte Leblanc, Vivian can’t avoid ghosts from the past who send her on a journey she is reluctant to take.

You can get your copy of the book at a special promotional price from your favorite online book retailer here.

new release, historical fiction, women's fiction, family saga, family drama, Gilded Age, 19th century, US history, suffragism, series

Excerpt

“If the horses are his only vice,” said Mr. Leblanc with a chuckle, “I should say Miss Drysdell is very lucky indeed.”

“But it isn’t.” Cecily’s eyes widened. “Elizabeth Cornwall told me it’s all over England that his grandfather and great-great-grandfather both went mad of the drink. It was like poison to them.”

“Well, my dear, all families have their skeletons,” said Mr. Leblanc.

“Oh, that’s all fine when they are ancient ones,” said Fern. “It’s the skeletons still rattling in the closets that one must be careful of.” Her eyes slid toward Vivian.

Vivian’s hands grew cold, even though the coffee Mrs. Tisher had given her was still warm. “Perhaps there would be no need for the skeletons to rattle if families told the truth from generation to generation.”

“Yes, you are a great believer in the truth, aren’t you, Vivian?” Amber asked. “No matter what the consequences.”

“‘Rather than love, than money, than fame, give me truth.’” Vivian quoted. 

“You made that up right now?” Bethel’s voice was sour.

“I didn’t,” said Vivian, smiling. “Henry David Thoreau did.”

About the Author

Tam May started writing when she was fourteen, and writing became her voice. She loves history and wants readers to love it too, so she writes historical fiction that lives and breathes a world of the past. She fell in love with San Francisco and its rich history when she learned about its resilience and rebirth after the 1906 earthquake and fire during a walking tour. She grew up in the United States and earned a B.A. and M.A in English. She worked as an English college instructor (where she managed to interest a class full of wary freshmen in Henry James’ fiction) and EFL teacher (using literature to teach English to business professionals) before she became a full-time writer.

Her book Lessons From My Mother’s Life debuted at #1 on Amazon in the Historical Fiction Short Stories category. She is currently working on a Gilded Age family drama titled the Waxwood Series. The first book of the series, The Specter, came out in June 2019, and the second book, False Fathers, was released in December of that year. Book 3, Pathfinding Women will be out in September 2020, and Book 4 in December 2020.

Tam lives in Texas but calls San Francisco and the Bay Area “home”. When she’s not writing, she’s reading classic literature, watching classic films, cross-stitching, or cooking up awesome vegetarian dishes.

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I’ve got a giveaway going on with 4 chances to win a prize! You can enter here.

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