Civil Rights: Not Just a Mid-20th Century Phenomenon

Facebooktwitterredditpinterestmail

Today is Martin Luther King Jr. Day where Americans celebrate not just the work of an extraordinary man and civil rights leader but the strides made by many who fought for civil rights in the 1950s and 1960s. 

Since I write fiction that takes place during the Progressive Era, I wondered if civil rights, like women’s rights, started earlier decade than the mid-20th century events we’re more familiar with. I did some digging and it turns out this is indeed the case. The progressives brought civil rights to the table some fifty years earlier than the word of King and others in the form of one of the instrumental organizations that worked for African American rights: the NAACP.

The NAACP (which stands for National Association for the Advancement of Colored People) began in 1908 as a response to a wave of lynchings that occurred in Lincoln’s birthplace, Springfield, Illinois. Not surprisingly, a group of progressives, outraged by the violence, organized a meeting that included some of the most well-known abolitionists of the previous era such as W.E.B. Dubois and Ida B. Wells. From this meeting emerged the roots of the NAACP, formally established in 1909. 

Photo Credit: A display featuring highlights and emblem of the NAACP at the Kraemer Family Library at the University of Colorado in Colorado Springs to celebrate 100 years of the formation of the NAACP, Feb 2009: UCCS Kraemer Family Library/Flickr/CC BY NC SA 2.0 

The NAACP’s mission was to fight racial injustice and discrimination not through violence or grassroots call to action but through the democratic system already in place in America. In other words, they used the same system that oppresses African Americans and other people of color to change laws and policies to fight injustice and discrimination. This is a different approach than many of the later civil rights activists, who believed the system could never work for them and chose more direct means outside the system to achieve their goals of justice and equality. 

The NAACP won several victories in court in the early 20th century. For example, they won a case against the “Grandfather Clause,” (passed in some Southern states which made certain activities, including voting, illegal for people whose grandfathers had not served in the Confederate army). In 1917, they also won a case against racial segregation in Louisville, Kentucky where the court ruled it unconstitutional to prohibit African Americans from buying land in mainly white neighborhoods.

Prior to World War I, the NAACP didn’t see much action beyond the above-mentioned court cases. However, after the war, the organization began to gain more prominence and exposure. Their focus changed with the times such as fighting for more opportunities for African American workers during the Great Depression in the 1930s. 

The NAACP still exists today and fights for racial justice and equality. In 2000, the organization launched a campaign to encourage more African Americans to vote and succeeded in increasing the votes in that community by almost a million. They continue to fight for the African American voice in today’s issues. I think the headline on their home page, “Continuing to fight for Democracy” says it all.

If you love fun, engaging mysteries set in the past, sign up for my newsletter to receive a free book, plus news about upcoming releases, fun facts about women’s history and mystery, and more freebies! You can sign up here

instagram
Facebooktwitterredditpinterestmail

Friday the 13th: Religious, Literary, and Cultural Origins

Facebooktwitterredditpinterestmail

I’ve been fascinated by the number 13 since high school when I had a morose phase that included an obsession with Sylvia Plath’s poems. In “Doomsday”, Plath talks about “lunatic thirteens” and the idea of the number thirteen having madness hidden behind it intrigued me.

Photo Credit: Black and white photo of black cat with arched back: BlueGarou/FreeIMG/CC0 

But the legend of Friday the 13th (the day, not the movie) is more innocuous than that. Some of its roots are, interestingly, religious rather than occult. The story of the Last Supper is about a table set for thirteen. According to some sources, the last guest to arrive was Judas who, of course, betrayed Jesus, a betrayal that eventually led to the crucifixion. That led to the idea that the number thirteen is an unlucky number.

Many believe the significance of Friday the 13th is more literary. For example, many authors exploited this idea of the unlucky and even haunted thirteen throughout the years, beginning with Hesiod in 700 BC, who warned farmers not to plant their seeds on the 13th day on the month because they wouldn’t grow. Others who singled out Friday the 13th as a day to watch out for include Geoffrey Chaucer in The Canterbury Tales (1387), where Chaucer hinted trying to start a new journey on the thirteenth wasn’t a good idea, and Thomas Lawson in his novel Friday the Thirteenth (1907), where the plot combined the unluckiness of the day with Progressive Era ideals about corrupt business practices that had to go. Right now, I’m reading M. R. James (said to be the godfather of the ghost story), and one of his stories, “Number 13,” also focuses on the idea of the unlucky number and its relation to the supernatural.

Culture also had a hand in determining the number thirteen as an unlucky number. There are superstitions surrounding the idea of “the thirteenth guest”. There’s even a classic pre-code film by that name that stars a non-dancing Ginger Rogers you can watch on YouTube here. Agatha Christie’s book Lord Edgeware Dies, renamed Thirteen for Dinner when made for TV in 1985, carries this idea of the unlucky thirteen. One of the characters at the dinner mentioned above reminds Hercule Poirot about the superstition that bad things happen to the first person who gets up from a table set for thirteen. When Poirot asks him who did get up first, the young man grins and says, “Me.” Since the story is a murder mystery, you can guess what happens to this dinner guest in the film!

While Friday the 13th doesn’t have its day (no pun intended) in my upcoming release, The Mystery of the Golden Cat, there are plenty of unlucky things that happen on another important day of the year: Labor Day. To read all about it, you can preorder the book here.  

If you love fun, engaging mysteries set in the past, you’ll enjoy The Missing Ruby Necklace! It’s available exclusively to newsletter subscribers here. By signing up, you’ll also get news about upcoming releases, fun facts about women’s history, classic true-crime tidbits, and more!

instagram
Facebooktwitterredditpinterestmail

More Than Brando’s Mouthpiece: Sacheen Littlefeather

Facebooktwitterredditpinterestmail

This month is American Indian Heritage Month so I wanted to celebrate a classic Indian American actress. I came across this article from the Vintage News website in my Facebook feed last month about Sacheen Littlefeather who passed away on October 2. However, Littlefeather was known as an activist for American Indian rights more than for her acting. But what fascinated me about her story was how in 1973 she made headlines when, in Marlon Brando’s name, she went onstage to decline the Oscar he won for his role in The Godfather.

Photo Credit: Sacheen Littlefeather standing in front of the Oscar statue holding Marlon Brando’s statement declining the Oscar for The Godfather, 45th Annual Academy Awards ceremony, 27 March 1973, UCLA Library Special Collections: TarkusAB/Wikimedia Commons/CC BY 2.0

The story behind her appearance at the Oscars has now become legendary. Before the 1973 Oscars, an incident occurred at Wounded Knee where Oglala Dakota and the American Indian Movement entered the town and took over in protest of Native American inequality and were eventually driven out by law enforcement. This incident sparked Marlon Brando’s rage and prompted him to declare that if he won the Oscar for The Godfather, he would decline it in protest of how American Indians were portrayed in films and television and treated by the film industry.

When the announcement that Brando had won came, people were surprised to see a young woman appear on the stage in traditional Apache dress, holding up her hand to decline the Oscar statuette. The story goes that Brando prepared a long speech for Littlefeather to deliver but the producers of the show threatened to have her forcefully removed from the stage if she didn’t keep it to thirty seconds. Put in a difficult position, Littlefeather handled it with dignity and grace. She condensed Brando’s wordy speech to a few eloquent and respectful words as to why he was declining the Oscar (you can watch that here). She endured booing and racial slurs from the audience, and John Wayne had to be restrained from attacking her onstage. The incident got her blacklisted from Hollywood and she never worked as an actress again.

Many have criticized Brando, accusing him of being a coward and sending a young woman to do his dirty work. There’s no doubt Littlefeather showed more courage and grace than Brando in facing the hostile Oscar crowd and backstage reporters. But Littlefeather maintained it was her idea to go in place of Brando and she did it to put across her message of inequality and prejudice that many American Indians working in Hollywood had to endure at the time and she never regretted what she did. 

Let’s celebrate the courage and dignity of American Indians like Sacheen Littlefeather to stand up for their equality and heritage this month!

If you love fun, engaging mysteries set in the past, sign up for my newsletter to receive a free book, plus news about upcoming releases, fun facts about women’s history and mystery, and more freebies! You can sign up here

instagram
Facebooktwitterredditpinterestmail

Tragedy and Survival: The Ohlone of California

Facebooktwitterredditpinterestmail

Today is Columbus Day, a day many of us in America learned about in school. When I learned about it (I won’t tell you how long ago that was…) teachers only talked about Columbus but not about the people already inhabiting America or about their suffering and their strength. Luckily, we live in much more enlightened times and kids today are also taught that this is also Indigenous Peoples’ Day, a celebration not just of Columbus but also of the Indigenous people who were already on American soil.

Photo Credit: A modern Ohlone family in traditional Ohlone dress, taken 21 February 2-15 and displayed in the Palace of Fine Arts in San Francisco, CA: Noahedits/Wikimedia Commons/CC BY 2.0

I came across the history of the Ohlone of California after doing research for Book 5 of the Adele Gossling Mysteries (coming out next year). I was interested in Native American tribes that settled specifically in the Bay Area and the Ohlone interested me. Calling the Ohlone a “tribe” is actually incorrect. These people indigenous to the Bay Area actually made up at least fifty tribes with different languages, practices, and cultures. The Ohlone population decreased with rapidity during the years Mexico owned California for several reasons, including infant mortality, plagues, and persecution. By the mid-nineteenth century, the Ohlone population had been reduced by almost ninety percent. 

That was also the time when the already dwindling Ohlone population suffered more tragedies at the hands of the new American government, as California became a state in 1850. Massacres took away more of their people and the government took away much of the land that had been theirs. By the turn of the century, there were less than fifty Ohlone people left and the majority of them lived more of a Mexican than an Ohlone life.

We can be thankful that today, the diverse tribes of the Ohlone have been recognized and the culture of these tribes revitalized and celebrated. 

So happy Indigenous Peoples’ Day!

If you love fun, engaging mysteries set in the past, sign up for my newsletter to receive a free book, plus news about upcoming releases, fun facts about women’s history and mystery, and more freebies! You can sign up here

instagram
Facebooktwitterredditpinterestmail

A Gilded Age New Year

Facebooktwitterredditpinterestmail

Photo Credit: Fanciful sketch of a New Year’s Eve celebration, Marguerite Martyn, 1914, St. Louis Post-Dispatch, 4 January 1914, Editorial Section: BeenAroundAWhile/Wikimedia Commons/PD US

Since this is the holiday season, I’ve been reflecting on the holidays in history, particularly in the 19th century. I wrote about Thanksgiving and Christmas in the Gilded Age. No holiday discussion could be complete without New Year’s.

New Year’s in the 19th century was then, as it is today, about seeing off the old year and bringing in the new. In the earlier part of the century, celebrations were rather modest. It was not uncommon to have a “watch night” on New Year’s Eve where people (especially in rural areas) would watch and wait for the clock to strike midnight so they could leave their old sins behind and begin the new year fresh to commit new ones.

Gilded Agers turned New Year’s into a real party holiday for the same reasons they turned Thanksgiving into a dining extravaganza: They wanted to show off. So they threw lavish parties and “invitation only” balls that included eight-course dinners and plenty of champagne even before the clock struck midnight. There are anecdotes about these Gilded Age party-goers, most of them wealthy, who were indeed determined to leave their sins behind them in the old year. It was not uncommon for them to go from house party to house party, making complete fools of themselves, and getting their names in the society columns the next morning. What a way to start the new year!

There were other traditions that are staples of New Year’s which came in the 19th century. One of them is the song “Auld Lang Syne,” a sentimental farewell to old friends and experiences. The song was actually an 18th century ballad composed by Scottish poet Robert Burns, and the tradition of singing it at midnight on New Year’s Day began in the mid-19th century, though it wasn’t until later in the 1920s that it became a permanent staple of our New Year’s tradition.

And the famous New Year’s Eve ball, that gigantic globe of light that drops at midnight every year in Times Square? That originated on New Year’s Day in 1905. The original ball was seven hundred pounds of iron and wood with a hundred light bulbs. The ball has been updated several times, the last in 2008, so it now weighs over twelve hundred pounds. Rather than lowered by hand with ropes as the original ball was, it now has a laser atomic clock located in Colorado.

I don’t think it’s a far stretch to say we still do, in a way, have our “watch night” where we wait impatiently for midnight to strike so we can let go of the old year’s sins and enter the new fresh. In fact, the reason New Year’s Day is on January 1st has to do with just that idea. Julius Cesar was the one who implemented the new calendar year to begin on that day, naming the first month of each new year January after Janus, the Roman god of new beginnings. Janus has two faces — one face facing front and the another face in the back of his head. Why? So that he can look back to the past and look forward to the present and future. For anyone who has read my fiction, this is exactly what my characters do. So, in essence, if I had to chose a holiday that belonged to the Waxwood Series, it would be New Year’s.

Want to read about how Vivian Alderdice looks back into the past to find her future? Start reading the Waxwood Series for only 99¢! Get all the information here

Is the life of a Gilded Age debutante all parties and flirtations? Read “The Rose Debutante” to find out! It’s FREE! Plus, you’ll get to know about life in the past and about the resilient women the history books forgot. And how about fun historical facts, great deals on historical fiction books, and a cool monthly freebie thrown in just because? Here’s where you can sign up.

instagram
Facebooktwitterredditpinterestmail