The Vague Origins of Father’s Day

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Today is Father’s Day in the United States. If Father’s Day sometimes seems like an afterthought, it sort of was, though not because fathers aren’t worthy of honor. I trace this back to the residue of the 19th century separate spheres where home and family brought up images of mothers more than fathers. So we can understand in this light why Mother’s Day gets a lot of attention.

Unlike Mother’s Day, which has definite origins, the history of Father’s Day is a little uncertain. There were, in fact, two local celebrations going on during the Progressive Era that is thought to be the official kick-off of Father’s Day, both celebrated for personal reasons. In 1910, Sonora Smart Dodd campaigned in her home state of Washington for an official Father’s Day celebration in June, mainly wanting to commemorate her own father. Dodd’s father had been a Civil War veteran and raised her and her five brothers and sisters alone on a farm when his wife died in childbirth. She succeeded, as Washington began celebrating a state-wide Father’s Day that year. The other celebration happened two years earlier, in West Virginia when a local Methodist church in Fairmont celebrated the day in honor of 361 fathers who had been killed in a local mining explosion.

But official lobbying and support were slow in coming. National political figures such as William Jennings Bryan and Calvin Coolidge supported a national Father’s Day, but it didn’t get much traction. Lobbying for a Father’s Day continued, and in 1972, Richard Nixon declared Father’s Day a national holiday on the third Sunday of June in the United States.

Why was Father’s Day almost an afterthought? As they say, follow the money. Mother’s Day was a commercially viable holiday from very early on. It was, in fact, its commercial appeal that helped get Woodrow Wilson to sign a proclamation declaring it a national holiday in the United States in 1914. But many felt fathers just didn’t have the same monetary appeal. As I discuss here, the role of the father in the 19th and early 20th centuries was more of a disciplinarian. The sentimentality given to mothers seemed to undermine the idea of the “manly man”, emphasizing the masculinity crisis of the Gilded Age. 

Talk about famous fathers! This photo is of none other than Sir Arthur Conan Doyle, the creator of Sherlock Holmes, and his three kids. He doesn’t look much like a disciplinarian dad here, does he?

Photo Credit: Sir Arthur Conan Doyle and his three children, 1900, Bain News Service, publisher, Library of Congress: Picryl/No known restrictions

Fathers are just as complex as mothers (something I discuss in my blog post about Mother’s Day) and Adele’s father is no exception. Although deceased when the series opens, Otis Gossling still profoundly influences his daughter and his son, Adele’s brother, Jackson, but in very different ways. As a highly-revered San Francisco criminal lawyer, it was his position that gave them their well-to-do standing. But Adele sees him very differently than her brother Jackson. Who is right and who is wrong? You’ll have to read the Adele Gosslng Mysteries to find out! 

And you can start right here with Book 1, The Carnation Murder, which is free on all bookstore platforms. Book 6 is coming out later this summer, so check that out here

If you love fun, engaging mysteries set in the past, you’ll enjoy my novella The Missing Ruby Necklace! It’s available exclusively to my newsletter subscribers and you can get it here. By signing up, you’ll also get news about upcoming releases, fun facts about women’s history, classic true-crime tidbits, and more!

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From Little Scandinavia to Gay Mecca: San Francisco’s Castro District

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It’s LGBTQ+ pride month! 

I was fortunate enough to spend a few years living in the Noe Valley neighborhood of San Francisco which borders the infamous Castro district, one of the well-known meccas for gay pride. Walking a few blocks to 24th Street was a weekly thing for my sister and I when we did all of our shopping. One block up and a few blocks toward the downtown, we would hit the Castro district with all of its color, vibrancy, and enthusiasm and all of its rainbow flags and rainbow crosswalks. It was a place full of energy.

Photo Credit: A crosswalk in the Castro District painted with the colors of the rainbow flag, 13 October 2014: Pinpinellus/Wikimedia Commons / CC BY SA 4.0

But the Castro district (often referred to as “the Castro”) didn’t start out that way. In fact, its beginnings are much more humble. In the 19th century, the area was inhabited mainly by working-class immigrants of Scandinavian origin. Their hard work and love of their new country and the city are well documented in the 1948 film I Remember Mama. The film is based on the true story of a Norwegian family trying to make ends meet in early 20th century San Francisco and get used to the modernizations of American culture, including putting one’s money into a bank (a major theme in the film). 

This Scandinavian enclave lasted until the mid-20th century. Several things turned the tide for the Castro. The 1950s marked a great shift in American living when people, eager for a safe and sane life after World War II, sought the suburbs and their own houses with a picket fence. Families fled San Francisco for the more sedate cities of the Bay Area like Pleasanton, San Jose, and Walnut Creek. Many Scandinavian families from the Castro moved out of their homes, leaving them empty, and the city was eager to fill these homes, so buying or renting a home was reasonable (hard to imagine in San Francisco) at that time. This coincided with many gay servicemen being released from the army and looking for a gay-friendly place to live. Later in the late 1960s, when San Francisco’s Haight-Ashbury district (just bordering the Castro) became wild with drugs and violence, many gay people there escaped into the more livable Castro district.

In the 1970s, the Castro was a haven for gay activists, the most famous being Harvey Milk, who was the first openly gay politician to serve on California’s Board of Supervisors. In the 1980s, the Castro saw a darker side when the AIDS/HIV epidemic hit the nation, but today, it stands as the symbol of gay culture and pride. This year marks the first since the COVID pandemic when all the festivities associated with Pride Month in San Francisco will be out in full force and as this article makes clear, San Francisco still remains a safe place for LGBTQ+ people to live and thrive just as it was in the mid-20th century. 

If you love fun, engaging mysteries set in the past, you’ll enjoy The Missing Ruby Necklace! It’s available exclusively to newsletter subscribers here. By signing up, you’ll also get news about upcoming releases, fun facts about women’s history, classic true-crime tidbits, and more!

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Why My Waxwood Series is Also a Mystery

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One of the beautiful things about being an author is touching the lives of readers with your stories. I cherish readers who respond to my emails with enthusiasm for the next book (one lovely reader already emailed me asking if I still need Advanced Review Copy reviewers for Book 6 of my Adele Gossling Mysteries when the book won’t be out until August and I haven’t even put out a call for ARC readers!) I also love it when readers discover elements in my stories that never occurred to me when I was writing them.

This is exactly what happened with the Waxwood Series. When I wrote the books, I was thinking of a series arc involving historical coming-of-age, specifically one woman’s journey into the past and her maturing into adulthood in one of the most turbulent and chaotic times in American history. 

But one reviewer surprised me by calling the Waxwood Series “a mystery saga of the Gilded Age.” At the time I wrote the series, I wasn’t writing mystery fiction or even contemplating publishing a mystery series. I had written Book 1 of the Adele Gossling Mysteries as more of an experiment during National Novel Writing Month back in 2013 but put it aside to concentrate on historical fiction. So the idea that the Waxwood Series was also a mystery saga came as a complete surprise to me.

But now some years have passed since the last book of that series was published. I can now look back and see the gold nugget my reader discovered is absolutely true.

Now, it’s not a mystery in the traditional sense. It has no detective, no amateur sleuth, no whodunit, and no red herrings. The mystery is largely personal and psychological. In Book 1, Vivian is confronted by a woman who knew her grandmother, Penelope Alderdice, in her youth and the woman she knew was not the woman Vivian grew up with. As a debutante coming into adulthood, Vivian considers it vital to know the truth about her family’s past. So her search takes her through several “clues” (such as Penelope’s summer in Waxwood, the name Grace, and letters Penelope wrote home about that summer) which tell her more about who Penelope was and what she sacrificed to become a shipping tycoon’s wife and Nob Hill socialite in the mid-19th century. The clues also point toward some astonishing truths about Vivian’s family that she never knew. Like a detective, she confronts her mother about these truths (the evidence) and gets some answers — but not all of them.

Book 3 continues Vivian’s sleuthing when a man who was acquainted with Penelope through stories from his aunt drops clues about Penelope that lead Vivian to realize there are still some skeletons in the closet she needs to air out. In spite of her promise to her mother to focus on winning the heart of a wealthy Canadian who can bring them back into the good graces of Nob Hill society, Vivian can’t resist pursuing these clues to unravel the mystery behind her family’s past. Her search takes her to a deserted artist’s colony in the hills and the bowels of San Francisco’s poorest neighborhood to find out about her roots. The results are life-changing for her. 

Book 2 focuses on Jake, Vivian’s brother, whose journey is more about his coming-of-age as a man in the Gilded Age. Book 4 presents an even greater mystery for Vivian — the man responsible for her family’s fall from grace comes back into her life unable to speak or communicate. In spite of her loathing for him, she gets involved with unraveling the clues behind his silence and faces the last of her family demons. 

Not all mysteries are about finding an external killer. There are crimes of the past that sometimes need to be put to rest before people can move on with their lives, just as finding justice for the murder victim and his or her family allows those involved to move on.

I would love for you to start reading the Waxwood Series right now and you can do that for free with Book 1, The Specter. Vivian’s story continues in Book 3, which is now on sale so you can find out about that here

*The Waxwood Series is a stand-alone series. That means you do not have to have read all the books in order to enjoy or understand each book.

If you love fun, engaging mysteries set in the past, you’ll enjoy The Missing Ruby Necklace! It’s available exclusively to newsletter subscribers here. By signing up, you’ll also get news about upcoming releases, fun facts about women’s history, classic true-crime tidbits, and more!

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The Marriage Age in the 19th Century

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In the 19th, and even the early 20th centuries, age was an important factor for both men and women when it came to marriage. This is especially true of women. Pretty much any woman who didn’t get married early was sneered at behind closed doors as being well on her way to spinsterhood (which, today, isn’t stigmatized like it was then). 

In the 21st century, many choose to marry at a later age. I can see several reasons for this. Both women and men are generally established in their careers later in life, so they choose to marry and have a family once they feel they’ve “gotten it together”. Many women prefer to start their careers before they take on marriage and motherhood. There is also a level of emotional maturity and intelligence that comes with age that (we hope) makes relationships and child-rearing more fulfilling. And there is no denying the pandemic and economic downturn in the last three years has something to do with people waiting a little longer to get married.

marriage, 19th century, gilded age, Waxwood Series, women, men

Young married couples in the 19th century knew marriage wasn’t all hearts and flowers. They were practical as well. I’m guessing this is probably an advertisement for Domestic sewing machines.

Photo Credit: Bride & Groom: Karen Arnold/PublicDomainPictures/CC0 1.0

This is in stark contrast to the marriage age in the 19th century. The average age for women to marry was, roughly, 20, while for men, it was 26. Why were women marrying at such a young age? We want to remember women were not as autonomous as they are today. Due to the separate spheres, many women were dependent on others for their livelihood, and marriage was the primary way they could survive when they came of age. There was also the “cult of True Womanhood” mentality where women’s destinies were to be wives and mothers, so marriage was seen as their goal in life. This is even true in the early 20th century when the New Woman. Keep in mind that, as independent and career-oriented as the New Woman was, she was still positioned as offering no threat to the “cult of True Womanhood” in her ultimate purpose in life (marriage and children).

Surprisingly, upper class women took the marriage age more seriously than middle and lower class women. You would think women with social and economic privileges would be more independent than their less privileged sisters, but, in reality, family and social expectations lay heavily upon them (a theme that comes back again and again in my Waxwood Series). Women who expected to marry into high society and/or maintain their position among the blue bloods had to marry young. In her book What Would Mrs. Astor Do? author Cecelia Tichi describes actress and model Evelyn Nesbitt, whose decision to marry the rich but abusive Harry Kendall Thaw came largely from the fact that she was “now over twenty years old, a perilous age for a Gilded Age starlet harboring hopes of matrimony” (location 3210). How much over twenty years? According to Tichi’s book, when Nesbit married Thaw, she was 21 years old.

In Pathfinding Women, the social standing of both Vivian and her mother Larissa hinges on Vivian marrying again. Vivian and her mother and, in fact, the Washington Street blue bloods that make up their social set are hyper-aware of this fact:

Vivian thought with irony of the past few days. “Yes, it would certainly be peaceful for us both if I were to become Mrs. Monte Leblanc.”

“And just what you need at this particular time in your life.”

A pain shot through Vivian. “What do you mean, Mother?”

“You always accuse me of ignoring the truth,” said Larissa. “But you don’t like it when someone else shows you the truth you’ve been ignoring.”

Vivian turned up the gas lamp on the night table and observed her mother’s face illuminated by a yellow halo. “You’ve always been shrewd, haven’t you, Mother?”

“I’m trying to make you see!”

“See what? That I’m not getting any younger?” Vivian’s eyebrows arched. “That’s what you meant, isn’t it? You think I ought to grab the first man that asks me like Cousin Emma did.”

“I wouldn’t go so far as that.” Her mother’s voice was reasonable. “But twenty-six is an age where a woman can begin to expect little out of life if she’s not married.”

You make twenty-six sound like ninety-six,” said Vivian, realizing she was starting to sulk.

Vivian is considered, by the standards of the 19th century, to be well above the marriage age, though she is still young, and this puts her in an awkward position matrimonially, and one that her love interest, Monte, who is considerably older than she is, doesn’t fail to grasp and use to his advantage.

Pathfinding Women, the third book of the Waxwood Series, is at a very special price right now. Find out about the book here. And don’t forget that Book 1, The Specter, is free here 

If you love fun, engaging mysteries set in the past, you’ll enjoy my novella The Missing Ruby Necklace! It’s available exclusively to my newsletter subscribers and you can get it here. By signing up, you’ll also get news about upcoming releases, fun facts about women’s history, classic true-crime tidbits, and more!

Works Cited:

Tichi, Cecelia. What Would Mrs. Astor Do? The Essential Guide to the Manners and Mores of the Gilded Age. Washington Mews Books, New York University Press, 2018. Kindle digital file.

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A History of Mother’s Day in the United States

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Today is Mother’s Day in the United States so many of us are honoring our mothers with flowers, brunch, and blessings to what humorist Erma Bombeck called “the second oldest profession” (we won’t talk about what the first oldest profession is…)

Where did this holiday come from? It began in 1908 when Anna Jarvis, Progressive Era activist, decided to pay tribute to her mother. She also, incidentally, started the tradition of giving flowers on this day by sending five hundred white carnations to the church in her hometown in Pennsylvania as part of the tribute.

Photo Credit: Anna Jarvis, founder of Mother’s Day in America. Probably taken around the turn of the century, judging by the hairstyle and clothes, but no additional information about the image. Uploaded 4 May 2017 by Jonas Duyvejonck: jonasduyvejonck/Flickr/CC BY 2.0

Although Jarvis is credited as the godmother of Mother’s Day in the United States, she was not the first to come up with the idea. That honor goes to Jarvis’ own mother Ann Maria Jarvis. From all accounts, Ann Maria was the prototype Victorian woman, devoted to children and church. At the same time, she was also an activist but, unlike the suffragists, she kept to her side of the separate spheres. Her work was confined to areas acceptable to women at that time (home and church). Her activism was nonetheless important, as she formed Mothers’ Day club events where the goal was to educate mothers on proper hygiene to prevent massive infant death rates prevalent in the nineteenth century. 

It’s interesting to note Ann Maria conceived of Mother’s Day quite differently than her daughter. To Ann Maria, maternal responsibility was very much linked to community service, and her idea was to celebrate the role of motherhood in society and family. Her daughter, on the other hand, wanted to make this day about honoring one’s own mother. So while the mother saw Mother’s Day as a collective tribute to mothers, the daughter personalized it. Hence, we call it Mother’s Day and not Mothers’ Day

The fight to get Mother’s Day declared a national holiday came during the first decade of the twentieth century when many women were advocating taking their lives outside the private sphere and fighting in social and political arenas for their rights and identities as individuals. 

It might seem a little odd that Jarvis would, at this time in history, lead a movement honoring women’s most traditional role inside the home, especially considering that Jarvis was one of these New Women https://tammayauthor.com/uncategorized/the-progressive-eras-new-woman who held a career as an advertising editor and earned a college degree. But suffragism was also about making women visible and respected for their own merits and contributions to society. Mothers fit right into this category (since you have to be a woman to be a mother, right?)

In May of 1914, only a few months before the outbreak of World War I, President Woodrow Wilson signed the proclamation to make Mother’s Day a national holiday. By the 1920s, Mother’s Day, like most American holidays, had become a target for consumerism, specifically florists and candy makers. Jarvis was disillusioned by this toward the end of her life and spent much of her later years trying to gain the recognition she deserved. One of the beautiful things about history is that, while innovators may not be appreciated during their own lifetime, we can look back and give them the kudos they deserve decades, even centuries, later. 

Mothers play a huge role in my historical fiction series set during the Gilded Age. The Waxwood Series is about Vivian, a Nob Hill society debutante who unravels the secrets and lies of her family’s past to find her own journey of maturity and her place in the world. Much of this involves her relationship with her mother Larissa. Larissa is a complex character as a mother and a woman and the series also takes Vivian and Larissa through the evolution of their relationship over the last decade of the 19th century.

You can find out more about this series and all the books on this page https://tammayauthor.com/other-works. Book 1 of the series, The Specter for free on all book vendors and for a very limited time, Book 3 of the series, Pathfinding Women, is available at a discount price.

If you love fun, engaging mysteries set in the past, you’ll enjoy The Missing Ruby Necklace! It’s available exclusively to newsletter subscribers here. By signing up, you’ll also get news about upcoming releases, fun facts about women’s history, classic true-crime tidbits, and more!

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