It’s Here… The Waxwood Series Relaunch!

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All covers by Essi/100 Covers

Series: Waxwood Series, Book 4

Author: Tam May

Genres: Historical Women’s Fiction/Family Saga

Relaunch Date: November 1, 2021

How many myths and half-truths does it take to destroy a family?

Vivian, the daughter and “Dagger Girl”, whose refusal to leave family secrets untold leads her down a dark path to a better future.

Jake, the son, and heir, whose search for a father figure leads him down the dark path of sin and redemption.

Larissa, the family matriarch, whose obsession with Nob Hill’s rigid social codes hides the shameful secrets of her past.

Come dive into this family saga set during one of America’s Gilded Age today. Book 1 is only 99¢!

Click the following links below to get the full details and all the buy links for each book:

The Specter (Waxwood Series: Book 1): https://tammayauthor.com/books-2/waxwood-series/the-specter-waxwood-series-book-1

False Fathers (Waxwood Series: Book 2)https://tammayauthor.com/books-2/waxwood-series/false-fathers-waxwood-series-book-2

Pathfinding Women (Waxwood Series: Book 3)https://tammayauthor.com/books-2/waxwood-series/pathfinding-women-waxwood-series-book-3

Dandelions (Waxwood Series: Book 4): https://tammayauthor.com/books-2/waxwood-series/dandelionswaxwood-series-book-4

Want to read an excerpt from each book? There’s a group for that! Join Tam’s Dreamers and you’ll get access to extra files, including special excerpts and other goodies. Plus, fun stuff about the history you never knew (like Victorian-era pudding recipes and vintage Halloween stickers!). You can request to join by clicking the button below.

About the Author

As soon as Tam May started writing at the age of fourteen, writing became her voice. She writes historical women’s fiction and historical mysteries. She loves to take readers into the nooks and crannies of the past, and she wants to inspire readers with her resilient and autonomous female characters. Most of her fiction is set in and around the San Francisco Bay Area because she fell in love with the city and found her independence and writing voice when she lived there in the 1990s. 

Her book Lessons From My Mother’s Life debuted at #1 in its category on Amazon. She’s also published a Gilded age family saga set among San Francisco’s Nob Hill elite titled the Waxwood Series which follows the Alderdices as they discover their place amidst revolutionary changes and shifting values in the last decade of the 19th century.

Tam’s current project is a historical mystery series titled The Paper Chase Mysteries. The series takes place in Northern California at the turn of the 20th century and features amateur sleuth and epistolary expert Adele Gossling, a progressive and independent young woman whose talent for solving crimes comes into direct conflict with her new community apt to prefer the previous era’s angel in the house to the current century’s New Woman. 

Tam lives in Texas but calls San Francisco and the Bay Area “home”. When she’s not writing, she’s reading classic literature, watching classic films, cross-stitching, or cooking yummy vegetarian dishes. 

Is the life of a Gilded Age debutante all parties and flirtations? Read “The Rose Debutante” to find out! It’s FREE! Plus, you’ll get to know about life in the past and about the resilient women the history books forgot. And how about fun historical facts, great deals on historical fiction books, and a cool monthly freebie thrown in just because? Here’s where you can sign up.

Social Media Links

Facebook: https://www.facebook.com/tammayauthor/

Instragram: https://www.instagram.com/tammayauthor/

Goodreads Author Page: https://www.goodreads.com/author/show/16111197.Tam_May

Amazon Author Page: https://www.amazon.com/Tam-May/e/B01N7BQZ9Y/ 

BookBub Author Page: https://www.bookbub.com/authors/tam-may

To celebrate the relaunch of the Waxwood Series, I’m doing a big giveaway where you could win a grand prize that includes paperbacks of all four books in the series, swag, and chocolate. And there are a few smaller prizes on offer as well. To enter, click the button below.

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Waxwood Series Relaunch Giveaway!!!

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Gilded Age Technical Innovations: The Automobile

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Photo Credit: Henry Ford’s first car, a Quadricycle Runabout, 1896, Midcoast Studios, Henry Ford Museum: The Henry Ford/Flickr/CC BY NC ND 2.0

We might see the late 20th Century onward as the era of phenomenal technical innovation (think: personal computer, wifi, and the internet), but it was really the Gilded Age that started it. As I mentioned in this blog post, the Gilded Age (roughly the last quarter of the 19th century) moved us into the modern era where the 20th (and 21st) centuries took over. Everything was getting a make-over then, including fashion, business, and politics. Technology was no exception.

Although cars didn’t really become popular until they became affordable (when Henry Ford released the Model T in 1908), they’re still probably one of the most earth-shattering of all the technical inventions created in the Gilded Age. When exactly the first car was manufactured is a matter of dispute, though people generally cite Carl Benz (of Mercedes-Benz fame) as being the first to come out with a three-wheeled automobile that ran on gasoline. The contraption was pretty modest, looking almost like a three-wheel bicycle with a fancy leather seat. The car was created in 1879 but didn’t get its first run until 1886. 

The idea behind the early automobile can be found really in the word itself (which didn’t come about until 1897). The car was all about the ability to go where you wanted in a vehicle that ran on its own (as opposed to having an animal pull it). This is one reason why early automobiles were first referred to as “horseless carriages”. They were thought of as carriages just like any other (and many early 19th century ones looked more like carriages and wagons than the cars we know today) except they didn’t need a horse to pull them.

Interestingly, early automobiles didn’t necessarily run on gasoline. Many ran on steam power (using a smilier principle as the steam engine, another new technological innovation of the 19th century) and some even ran on electricity (hello, hybrid). In fact, early electric cars were often marketed to women (yes, women did drive cars in the early 20th century, including author Edith Wharton and society etiquette queen, Emily Post) because they were elegant and easy to operate. 

One of my favorite films is Orson Welles’ The Magnificent Ambersons (1942). The movie is based on a 1918 book (but takes place earlier) and documents the downfall of a wealthy Midwestern family. The shift from carriages to automobiles figures prominently in the story. Eugene Morgan, an old beau of Amberson matriarch Isabella, is a car manufacturer at a time when they were considered, in the words of Isabella’s son, a “useless nuisance”. In the film, there is a discussion of the automobile at the dinner table one night. The discussion brings out some of the fears people had about cars then, such as the value of exclusive neighborhood properties going down once cars allowed people to travel longer distances. Interestingly, the biggest “nuisance” we would consider with cars today (accidents) isn’t even mentioned, probably because the speed limit in the early 20th century was less than 20 miles an hour outside city limits. The philosophical speech Morgan delivers about the automobile is that, like it or not, no one could stop this technological innovation from replacing the horse and buggy and, of course, this prediction proved right. By the 1910s, cars outnumbered horse-drawn carriages in many cities across America.

Photo Credit: Baker Electric Coupe 1908, taken by Lars-Göran Lindgren: Lglswe/Wikimedia Commons/CC BY SA 3.0 

The Alderdices are, like the Ambersons, stuck in the past and are reluctant to embrace the new technologies that were already coming their way in the last decade of the 19th century. In Book 2, Jake and Vivian is introduced to a custom-made car belonging to Stevens called the Brata. The name is fictional but the car itself was inspired by a real electric car manufactured by the Baker Motor Vehicle Company in 1909. The car attracted me and fit Stevens’ character, like the kind of car he would really own, so I adopted it, although the series takes place some ten years earlier. Interestingly, Jay Leno, a classic car enthusiast, restored one of the Baker Electric 1909 automobiles and you can see him driving it here

Incidentally, cars also play a role in my upcoming historical cozy mystery series, The Paper Chase Mysteries. The protagonist and amateur sleuth, Adele Gossling, an up-and-coming New Woman, symbolically and literally invades the backward-thinking town of Arrojo in Book 1 when she shows up in a Beaton Roundabout (another fictional name for an automobile but inspired by the Stearns Steam Surrey, manufactured by the Stearns Steam Carriage Company in Syracuse, New York in 1902). If you’re curious, you can find a photo of the car here

The Waxwood Series is about to get a complete makeover! All four books will be getting new covers and new blurbs in November. You can find out more about the series here

Come join me for a peek into the corners of history! Curious about those nooks and crannies you can’t find in the history books? Are you more a people lover than a date or event lover when it comes to history? Then you’ll love the Resilient History Newsletter! Plus, when you sign up, you’ll get a prequel to my Waxwood Series for free! Here’s where you can sign up.

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Summer Vacation in the 19th Century

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Photo Credit: Terrasse à Sainte-Adresse, Claude Monet, 1866-1867, oil on canvas, Metropolitan Museum of Art, New York, NY: Crisco 1492/Wikimedia Common/PD old 80

This Sunday is the official start of summer. Much of my historical family saga, the Waxwood Series, takes place during the summer months. For us 21st century people, summer means hot weather, swimming pools, and beaches. It’s about fun, leisure, and rest. 

The Victorians, however, had a different take on summer. In the 19th century, only the privileged (like my Alderdice family) could afford to take a summer vacation. Middle-class and working-class people did not take time off in the summer or go on vacation. Why? 

First, there was a philosophical issue involved. Tension existed between work and play in America at that time. Doctors and ministers and other authorities were suspicious of vacations, believing they led people to vice. There was also a very practical reason: Most people just couldn’t afford to take time off and go somewhere for the summer (no paid time off for vacations in those days).

What changed? Our awareness that being the constant workhorse was more unhealthy than the sort of vices vacation destinations could offer. Also, the rising middle class in the Gilded Age could finally afford to a week or two off from work during the summer for some fun and leisure. And, too, as with much of American life in the Gilded Age, there was the question of commerce. The travel and hospitality industries (like hotels and restaurants) quickly realized they could make a lot of money by encouraging Americans to take time off to enjoy the summer and play.

In my series, when summer comes, the Alderdice family vacation in the resort town called Waxwood. Resort life was growing in the Gilded Age among the wealthy and upper-middle class. These wealthy people took their summer vacations very seriously, spending months lounging in resorts, meeting new people, and participating in all sorts of activities and events. You can find out more about my series on this page

Ready to dive into my Gilded Age family saga? Now is a perfect time! Book 1, The Specter, has been updated and revised and is now at 99¢. You can get it here

And if you really want to know what it was like to spend a summer in a resort with the wealthy, you’ll want to read Book 2 of the series, False Fathers, which has also recently been updated and revised.

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Why I Love (And Write) Women’s Fiction

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***This blog post was written in honor of Women’s Fiction Day, designated as June 8 by the Women’s Fiction Writers Association.***

If you would ask me what is the genre of the Waxwood Series, I would unhesitatingly say “women’s fiction”. This is in spite of the fact that False Fathers, Book 2 of the series, is actually about a young man’s coming-of-age. The series itself focuses on the journey of one young woman to emotional and intellectual maturity in the last decade of the 19th century. Women’s fiction is always about journeys and all of my fiction, regardless of genre, even my upcoming historical cozy mystery series, the Paper Chase Mysteries, is about women’s journeys.

But is women’s fiction only about the gender of the author?

Different authors define women’s fiction (whether they write it or not) differently. My definition of women’s fiction is fiction where a woman goes through some kind of emotional and psychological journey and transformation, usually the main character or one of the main characters. That transformation doesn’t necessarily have to be a positive one, but one in which she learns something about herself and the world around her. And the book doesn’t have to be written by a woman either. I consider books like Leo Tolstoy’s Anna Karenina and Gustave Flaubert’s Madame Bovary women’s fiction, because the woman protagonist of each book goes through her own journey and transformation (however tragic), and we learn something about human nature and women’s lives in the nineteenth century. 

This last element is really why I love reading women’s fiction. The genre not just about women written for women and only relevant to women. It’s relevant to all our lives, male or female, or however you identify your gender. They also teach us about how women behave and are treated, and this reflects on the way human nature works in our patriarchal society, then and now. I make no secret of the fact that I don’t read many contemporary books but a few months ago, I picked up a book firmly placed in the contemporary women’s fiction category by K. L. Montgomery titled Fat Girl. Montgomery is a body-positive advocate and her protagonist is a plus-size woman whose trials and tribulations with romance, divorce, and raising a teenage boy speaks to our time with the struggles of single parents and body shaming in our weight-conscious society.

In the Waxwood Series, Vivian’s transformation continues throughout the Waxwood Series and will be completed in Book 4. Her revelations about family, women and social expectations will hopefully speak not only of the paradoxes of the Gilded Age but also our time.

In honor of Women’s Fiction Day, I’m giving away an ebook copy of The Specter! To enter the giveaway, please comment on this blog post and tell me why you love women’s fiction (historical or otherwise). The giveaway will end on Sunday, June 13.

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