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The Vague Origins of Father’s Day

Today is Father’s Day in the United States. If Father’s Day sometimes seems like an afterthought, it sort of was, though not because fathers aren’t worthy of honor. I trace this back to the residue of the 19th century separate spheres where home and family brought up images of mothers more than fathers. So we can understand in this light why Mother’s Day gets a lot of attention.

Unlike Mother’s Day, which has definite origins, the history of Father’s Day is a little uncertain. There were, in fact, two local celebrations going on during the Progressive Era that is thought to be the official kick-off of Father’s Day, both celebrated for personal reasons. In 1910, Sonora Smart Dodd campaigned in her home state of Washington for an official Father’s Day celebration in June, mainly wanting to commemorate her own father. Dodd’s father had been a Civil War veteran and raised her and her five brothers and sisters alone on a farm when his wife died in childbirth. She succeeded, as Washington began celebrating a state-wide Father’s Day that year. The other celebration happened two years earlier, in West Virginia when a local Methodist church in Fairmont celebrated the day in honor of 361 fathers who had been killed in a local mining explosion.

But official lobbying and support were slow in coming. National political figures such as William Jennings Bryan and Calvin Coolidge supported a national Father’s Day, but it didn’t get much traction. Lobbying for a Father’s Day continued, and in 1972, Richard Nixon declared Father’s Day a national holiday on the third Sunday of June in the United States.

Why was Father’s Day almost an afterthought? As they say, follow the money. Mother’s Day was a commercially viable holiday from very early on. It was, in fact, its commercial appeal that helped get Woodrow Wilson to sign a proclamation declaring it a national holiday in the United States in 1914. But many felt fathers just didn’t have the same monetary appeal. As I discuss here, the role of the father in the 19th and early 20th centuries was more of a disciplinarian. The sentimentality given to mothers seemed to undermine the idea of the “manly man”, emphasizing the masculinity crisis of the Gilded Age.

*Talk about famous fathers! This photo is of none other than Sir Arthur Conan Doyle, the creator of Sherlock Holmes, and his three kids. He doesn’t look much like a disciplinarian dad here, does he?*

Photo Credit: Sir Arthur Conan Doyle and his three children, 1900, Bain News Service, publisher, Library of Congress: Picryl/No known restrictions

Fathers are just as complex as mothers (something I discuss in my blog post about Mother’s Day) and Adele’s father is no exception. Although deceased when the series opens, Otis Gossling still profoundly influences his daughter and his son, Adele’s brother, Jackson, but in very different ways. As a highly-revered San Francisco criminal lawyer, it was his position that gave them their well-to-do standing. But Adele sees him very differently than her brother Jackson. Who is right and who is wrong? You’ll have to read the Adele Gosslng Mysteries to find out!

And you can start right here with Book 1, The Carnation Murder, which is free on all bookstore platforms. Book 6 is coming out later this summer, so check that out here.

If you love fun, engaging mysteries set in the past, you’ll enjoy my novella The Missing Ruby Necklace! It’s available exclusively to my newsletter subscribers and you can get it here. By signing up, you’ll also get news about upcoming releases, fun facts about women’s history, classic true-crime tidbits, and more!

From Little Scandinavia to Gay Mecca: San Francisco’s Castro District

It’s LGBTQ+ pride month!

I was fortunate enough to spend a few years living in the Noe Valley neighborhood of San Francisco which borders the infamous Castro district, one of the well-known meccas for gay pride. Walking a few blocks to 24th Street was a weekly thing for my sister and I when we did all of our shopping. One block up and a few blocks toward the downtown, we would hit the Castro district with all of its color, vibrancy, and enthusiasm and all of its rainbow flags and rainbow crosswalks. It was a place full of energy.

Photo Credit: A crosswalk in the Castro District painted with the colors of the rainbow flag, 13 October 2014: Pinpinellus/Wikimedia Commons / CC BY SA 4.0

But the Castro district (often referred to as “the Castro”) didn’t start out that way. In fact, its beginnings are much more humble. In the 19th century, the area was inhabited mainly by working-class immigrants of Scandinavian origin. Their hard work and love of their new country and the city are well documented in the 1948 film I Remember Mama. The film is based on the true story of a Norwegian family trying to make ends meet in early 20th century San Francisco and get used to the modernizations of American culture, including putting one’s money into a bank (a major theme in the film).

This Scandinavian enclave lasted until the mid-20th century. Several things turned the tide for the Castro. The 1950s marked a great shift in American living when people, eager for a safe and sane life after World War II, sought the suburbs and their own houses with a picket fence. Families fled San Francisco for the more sedate cities of the Bay Area like Pleasanton, San Jose, and Walnut Creek. Many Scandinavian families from the Castro moved out of their homes, leaving them empty, and the city was eager to fill these homes, so buying or renting a home was reasonable (hard to imagine in San Francisco) at that time. This coincided with many gay servicemen being released from the army and looking for a gay-friendly place to live. Later in the late 1960s, when San Francisco’s Haight-Ashbury district (just bordering the Castro) became wild with drugs and violence, many gay people there escaped into the more livable Castro district.

In the 1970s, the Castro was a haven for gay activists, the most famous being Harvey Milk, who was the first openly gay politician to serve on California’s Board of Supervisors. In the 1980s, the Castro saw a darker side when the AIDS/HIV epidemic hit the nation, but today, it stands as the symbol of gay culture and pride. This year marks the first since the COVID pandemic when all the festivities associated with Pride Month in San Francisco will be out in full force and as this article makes clear, San Francisco still remains a safe place for LGBTQ+ people to live and thrive just as it was in the mid-20th century.

If you love fun, engaging mysteries set in the past, you’ll enjoy The Missing Ruby Necklace! It’s available exclusively to newsletter subscribers here. By signing up, you’ll also get news about upcoming releases, fun facts about women’s history, classic true-crime tidbits, and more!

A History of Mother’s Day in the United States

Today is Mother’s Day in the United States so many of us are honoring our mothers with flowers, brunch, and blessings to what humorist Erma Bombeck called “the second oldest profession” (we won’t talk about what the first oldest profession is…)

Where did this holiday come from? It began in 1908 when Anna Jarvis, Progressive Era activist, decided to pay tribute to her mother. She also, incidentally, started the tradition of giving flowers on this day by sending five hundred white carnations to the church in her hometown in Pennsylvania as part of the tribute.

Photo Credit: Anna Jarvis, founder of Mother’s Day in America. Probably taken around the turn of the century, judging by the hairstyle and clothes, but no additional information about the image. Uploaded 4 May 2017 by Jonas Duyvejonck: jonasduyvejonck/Flickr/CC BY 2.0

Although Jarvis is credited as the godmother of Mother’s Day in the United States, she was not the first to come up with the idea. That honor goes to Jarvis’ own mother Ann Maria Jarvis. From all accounts, Ann Maria was the prototype Victorian woman, devoted to children and church. At the same time, she was also an activist but, unlike the suffragists, she kept to her side of the separate spheres. Her work was confined to areas acceptable to women at that time (home and church). Her activism was nonetheless important, as she formed Mothers’ Day club events where the goal was to educate mothers on proper hygiene to prevent massive infant death rates prevalent in the nineteenth century.

It’s interesting to note Ann Maria conceived of Mother’s Day quite differently than her daughter. To Ann Maria, maternal responsibility was very much linked to community service, and her idea was to celebrate the role of motherhood in society and family. Her daughter, on the other hand, wanted to make this day about honoring one’s own mother. So while the mother saw Mother’s Day as a collective tribute to mothers, the daughter personalized it. Hence, we call it Mother’s Day and not Mothers’ Day.

The fight to get Mother’s Day declared a national holiday came during the first decade of the twentieth century when many women were advocating taking their lives outside the private sphere and fighting in social and political arenas for their rights and identities as individuals.

It might seem a little odd that Jarvis would, at this time in history, lead a movement honoring women’s most traditional role inside the home, especially considering that Jarvis was one of these New Women https://tammayauthor.com/uncategorized/the-progressive-eras-new-woman who held a career as an advertising editor and earned a college degree. But suffragism was also about making women visible and respected for their own merits and contributions to society. Mothers fit right into this category (since you have to be a woman to be a mother, right?)

In May of 1914, only a few months before the outbreak of World War I, President Woodrow Wilson signed the proclamation to make Mother’s Day a national holiday. By the 1920s, Mother’s Day, like most American holidays, had become a target for consumerism, specifically florists and candy makers. Jarvis was disillusioned by this toward the end of her life and spent much of her later years trying to gain the recognition she deserved. One of the beautiful things about history is that, while innovators may not be appreciated during their own lifetime, we can look back and give them the kudos they deserve decades, even centuries, later.

Mothers play a huge role in my historical fiction series set during the Gilded Age. The Waxwood Series is about Vivian, a Nob Hill society debutante who unravels the secrets and lies of her family’s past to find her own journey of maturity and her place in the world. Much of this involves her relationship with her mother Larissa. Larissa is a complex character as a mother and a woman and the series also takes Vivian and Larissa through the evolution of their relationship over the last decade of the 19th century.

You can find out more about this series and all the books on this page https://tammayauthor.com/other-works. Book 1 of the series, The Specter for free on all book vendors and for a very limited time, Book 3 of the series, Pathfinding Women, is available at a discount price.

Income Taxes: A Progressive Era Thing

Tax Day in America is here!

There is no task that spells “adulting” more than doing your taxes. We all hate it. We all grumble about it. We all get headaches over it. It’s on our minds at this time of year. Even in my peer support group recently, the conversation fell on taxes when we were all supposed to be talking about something entirely different.

In fact, I’m betting when tax time comes around, most of us feel like The Beatles in their 1966 song “Mr Taxman”. Ironically, the Beatles wrote the song at a time when Britain was imposing higher taxes on the wealthy. The Beatles, by this stage in their careers, fell into that category, so they weren’t too happy about this.

Got questions? The cartoon above shows early 20th century Secretary of the Treasury, William G. McAdoo, being bombarded with questions about taxes over the phone on his “busy days”. If y’all think taxes are complicated in the 21st century, imagine how confused Americans were in the early days!

Photo Credit: Secretary McAdoo’s Busy Days, illustrated cartoon, by Clifford Barryman, from Washington Evening Star, 3 November 1913: Nara & Dvids Public Domain Archive/No known copyright restrictions

We can thank the well-intentioned people of the Progressive Era for income taxes. However, the story of income taxes in America begins in the mid-19th century. The American government first imposed a tax on personal income in 1861 to help fund the Civil War at that time but stopped this in the 1870s. Then, Congress passed a flat-rate income tax during the Gilded Age which meant that, regardless of how much you made, your income was taxed at a specific percentage. This was ruled unconstitutional because it didn’t take into account income variations by class and states (think: a farmer living in Kentucky isn’t going to be able to pay the same tax rate as a stockbroker living in New York City because his income is way lower).

It was the 16th Amendment, passed in 1909 and ratified in 1913, that finally put the income tax into place, though the actual tax deadline (on or just after April 15) wasn’t set until the 1950s. When you look at the evolution of early 20th-century society and politics, you can understand why this would be a Progressive Era thing. At the turn of the 20th century, people in America were trying to fix the damage the Gilded Agers had done with their greed, graft, and corruption, and they wanted the government to help. The hands-off government of the 19th century wasn’t working anymore. In order for the government to intervene, it needed funds. They had nowhere to get those funds except from the people. Hence, taxes.

I know this is tough to remember when you’re slogging through your Form 8829 trying to figure out whether the IRS will come after you for declaring 30% of your internet bill was used for your work because maybe it was more like 15% (as my CPA says, “you don’t want to poke the bear”). But maybe when you’re trying to scrape together the dollars to pay Mr. Taxman this year, it will help to keep in mind the original intent of the 16th Amendment.

Although the protagonist of the Adele Gossling Mysteries isn’t dealing with taxes yet (Book 1 takes place in 1903, before the 16th Amendment came into play), she does deal with other Progressive Era political issues. And who knows? Maybe when the series reaches the 1910s, there will be a book about Adele investigating the murder of a local tax man!

If you love fun, engaging mysteries set in the past, sign up for my newsletter to receive a free book, plus news about upcoming releases, fun facts about women’s history and mystery, and more freebies! You can sign up here.

The Venus on the Trapeze: Miss Fillis

We’ve all heard that old song about “the daring young man on the flying trapeze” (which by the way, was published in 1867 and was about Jules Leotard, a popular trapeze artist at the time). Sadly, no songs were composed for the daring young women on the flying trapeze. Yes, there were such creatures. Book 5 of my Adele Gossling Mysteries series, in fact, features two such women.

Why is it so strange to find women trapeze artists during this time? Because we can’t forget that during these eras the separate spheres existed. Based on these ideals, women were fragile, sickly creatures who had no business taking on acrobatics like the flying trapeze which required strength and skill. One woman, in particular, defied this image of the fragile Victorian woman and did so almost from birth. Her name was Aimee Marcoud whose stage name later became “Miss Fillis”.

Marcoud was indoctrinated into circus life much like most performers. Her father, a gymnast whose specialty was the horizontal bars, taught her the ropes (metaphorically speaking). At the tender age of ten, she was already part of his act, wowing audiences with her handstand on the trapeze.

But circus life with her father was pretty grueling and she escaped his watchful eye to marry an equestrian named Fillis. Although the marriage didn’t last long, it did give her the name by which she was billed: Miss Fillis. Interestingly, women of that time, even divorced women, though known by their married names, were often referred to as “Mrs.” as if their identities still belonged to their husbands, but Marcoud chose to put “Miss” in front of her married name.

Marcoud then met another trapeze artist named Alfred Robles and married him in 1928. They, along with a third man, created an act where Marcoud was the catcher, not the flyer. This required a tremendous amount of strength and timing. However, Marcoud didn’t confine herself only to her husband’s act. She continued to perform under her own under the name of Miss Fillis as well.

Photo Credit: Miss Fillis (aka, Aimee Marcoud), 1930, Tristan Remy Collection: Djando/Circopedia/CC BY NC ND 3.0 US

Marcoud’s career and life did not go the way of tragedy as several women circus performers of her time (I talk about some of them here). She and her husband continued their trapeze act into World War II when her husband was drafted into the army. Marcoud’s career didn’t stop but went on during and after the war. She finally retired from the ring at the age of fifty-five.

You can read about the women trapeze artists in Murder Under A Twilight Roof in a few weeks when Book 5 comes out. But you can get a copy right now at a special preorder price here.

If you love fun, engaging mysteries set in the past, you’ll enjoy The Missing Ruby Necklace! It’s available exclusively to newsletter subscribers here. By signing up, you’ll also get news about upcoming releases, fun facts about women’s history, classic true-crime tidbits, and more!