The Personal is Political

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Photo Credit: Feminist symbol (Venus symbol with clenched fist, first used in the 1960s), created 8 August 2006, author unknown: Hill~common-swiki/Wikimedia Commons/PD Ineligible

In one of my recent blog posts, I brought up one of the slogans associated with the second-wave feminist movement in the 1960s and 1970s: “The personal is political.” But what does this slogan really mean and why was it so important to the movement at that time?

These words weren’t just a catchy phrase but a political argument. If we recall, the goal of 19th and early 20th centuries suffragism, women were specifically fighting for their right to vote. They had a very specific agenda. By the time the 1960s rolled around, the issues surrounding women’s rights were much more complex and needed to expand. Women weren’t fighting for just their political right to influence laws and policies. These things were often very closely related to their lives and the lives of everyone around them. They touched upon very personal issues, such as reproductive rights, rape, domestic violence, and abortion. Feminists argued these issues should not be kept out of the public sphere, as they affected not only the women personally involved, but other women and future generations. In other words, these weren’t just the problems belonging to one individual woman or group of women. They were problems relating to a world that sanctioned sexual oppression and discrimination. To solve them took fixing the whole system, one woman at a time.

Exactly where the phrase “the personal is political” came from is difficult to pinpoint. Some identify its origin in an article written in 1969 by activist and writer Carol Hanisch for a book of feminist writings published a year later. But Hanisch herself denies the phrase came from her and, instead, credits the editors of the book, Shulamit Firestone and Anne Koedt for coming up with the slogan. But these women also denied that the phrase originated from them. They insisted it really belonged to the thousands of women in consciousness-raising groups who used the term to describe their own revelations regarding their personal and collective oppression.

As I was writing (or, rather, rewriting) the stories of my latest book, Lessons From My Mother’s Life, which touch upon themes of Betty Friedan’s the feminine mystique and the crumbling of the happy and fulfilled American housewife ideal in the late 1950s and early 1960s, it struck me how the slogan “the personal is political” is almost a slap in the face to the separate spheres of the 19th century. A new generation of women were insisting that, rather than two separate arenas in life, the private (for women) and the public (for men), one was enmeshed in the other, and the problems of the private were the problems of the public and vice versa. The walls that had kept 19th century women pent up in their own world without a voice were crumbling and continue to crumble even today.

If you would like to know more about the stories in Lessons From My Mother’s Life, you can find out about them and order your copy of the book here.      

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Author: tammayauthor

Tam May grew up in the United States and earned her B.A. and M.A in English. She worked as an English college instructor and EFL (English as a Foreign Language) teacher before she became a full-time writer. She started writing when she was 14, and writing became her voice. She writes characters who examine their past in order to move into their future and are influenced by the time in which they live. Her first book, a collection of contemporary short stories titled Gnarled Bones And Other Stories, was nominated for a 2017 Summer Indie Book Award. She is currently working on a Gilded Age family saga. The first book, The Specter, is now available, and the second book will be out in December, 2019. She is also working on a historical mystery series featuring a turn-of-the-century New Woman sleuth. Both series take place in Northern California. She lives in Texas but calls San Francisco and the Bay Area “home”. When she’s not writing, she’s reading classic literature and historical fiction, watching classic films, or cooking up awesome vegetarian dishes.

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