I’m a big classic movie fan. I prefer the earlier classics from between the 1920s and the 1950s rather than the later ones from the 1960s onward. But one film from the 1970s that has always fascinated me is the film Paper Moon. It’s a black comedy set during the Great Depression in the Midwest, where Americans were having the toughest time and would do anything to get by. The film follows a charming and handsome con man named Moze (played by Ryan O’Neal) who gets stuck with an eight-year-old orphan, Addie (played by his real-life daughter, Tatum O’Neal), who becomes a better con artist than he is. Clearly, this is not the kind of film that would go over well today, but in the 1970s, when standards were different and the concept of “political correctness” wasn’t as prevalent, this kind of film embedded a lot of social and political views that many Americans, especially younger ones, shared.
There’s a scene in the film where Moze and Addie succeed in beating a bootlegger at his own game when they find his stash of illegal whiskey, steal some of it, and sell it back to the man. They get caught by the local police but manage to escape. The escape scene is pretty standard 1970s action stuff (you can watch it here). Their goal is to get out of Kansas (their current location) and drive across the state line to Missouri, where the police can’t touch them.
Why was this so crucial? Because up until just after the Great Depression ended, state police had no authority to apprehend criminals who had not committed crimes in their state. So Kansas police couldn’t track Moze and Addie down if they crossed over to Missouri.
Criminals weren’t, however, completely free. In 1908, Theodor Roosevelt approved a new national law enforcement agency that could function in any state and help apprehend criminals who had crossed the state line. At that time, it was named the U.S. Bureau of Investigation, but in 1935, it was renamed to what we know now as the Federal Bureau of Investigation, or the F.B.I.
Photo Credit: Newspaper story of the ambush (initiated by the U.S. Bureau of Investigation) that killed Bonnie Parker and Clyde Barrow, 23 May 1934: Bradford Timeline/Flickr/CC BY NC 2.0
This agency helped crack some of the most notorious cases, including:
– The Lindbergh baby case (1932): The infamous case of the kidnapping and murder of Charles Lindbergh’s infant son prompted Hoover (head of the Bureau at the time) to send out agents to look for marked bills of the ransom money to try and track down the perpetrator.
– Bonnie Parker and Clyde Barrow (1934): Bureau agents in nine states collaborated to eventually track the killing couple down in Louisiana and create an ambush that led to their deaths.
– Julius and Ethel Rosenberg (1950s): This is sort of a forgotten case, but it was huge at the time (and if you’ve read poet Sylvia Plath’s novel The Bell Jar, you’ll know it). At the height of the Cold War scare, a spy ring was discovered to be transferring secrets from the atomic development center in New Mexico to the Russians. The FBI traced these messages to a scientist named Julius Rosenberg, and he and his wife, along with several others, were arrested in 1951. Both refused to confess and were executed in 1953.
Book 3 of my Grave Sisters Mysteries doesn’t involve Oliver Clarke, the Gyver district attorney, because the sisters focus on helping Daniel Frazer, the Moody County D.A., with his case. But Oliver has his own case, which is helping the Bureau capture criminals who kidnapped a child and left her for dead (yes, the case in the book is inspired by the Lindbergh baby kidnapping).
A Weekend Getaway Murder is available now for preorder, as it comes out this summer, so grab your copy here.
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